Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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الصفحة 10
... because of its remarkable difagreeable- nefs , is diftinguished by a proper name , viz . hiatus . The most agreeable fucceffion , is , where the cavity is increased and diminished al- ternately within moderate limits . Examples ...
... because of its remarkable difagreeable- nefs , is diftinguished by a proper name , viz . hiatus . The most agreeable fucceffion , is , where the cavity is increased and diminished al- ternately within moderate limits . Examples ...
الصفحة 23
... because with fome writers it paffes for a beauty . It is the giving different names to the fame object , mentioned more than once in the fame period . Example : Speaking of the English adventurers who first attempted the conqueft of ...
... because with fome writers it paffes for a beauty . It is the giving different names to the fame object , mentioned more than once in the fame period . Example : Speaking of the English adventurers who first attempted the conqueft of ...
الصفحة 24
... because next in import- ance , is , That the language ought to correfpond to the subject : grand or heroic actions or fenti- ments require elevated language ; tender fenti- ments ought to be expreffed in words foft and flowing ; and ...
... because next in import- ance , is , That the language ought to correfpond to the subject : grand or heroic actions or fenti- ments require elevated language ; tender fenti- ments ought to be expreffed in words foft and flowing ; and ...
الصفحة 25
... because fuch imitation makes the words concordant with the fenfe . This doctrine may be illustrated by a familiar example : when we have occafion to mention the intimate connection that the foul hath with the body , the expreffion ought ...
... because fuch imitation makes the words concordant with the fenfe . This doctrine may be illustrated by a familiar example : when we have occafion to mention the intimate connection that the foul hath with the body , the expreffion ought ...
الصفحة 29
... because it makes a difcordance between the thought and expreffion . For the fame reafon , we ought alfo to avoid every artificial oppofition of words where there is none in the thought . This laft , termed verbal antithefis , is ftudied ...
... because it makes a difcordance between the thought and expreffion . For the fame reafon , we ought alfo to avoid every artificial oppofition of words where there is none in the thought . This laft , termed verbal antithefis , is ftudied ...
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abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
مقاطع مشهورة
الصفحة 184 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
الصفحة 327 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
الصفحة 234 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
الصفحة 277 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
الصفحة 234 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
الصفحة 312 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
الصفحة 235 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
الصفحة 332 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
الصفحة 432 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
الصفحة 277 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...