Elements of Criticism: Volume I [-II]., المجلد 2A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
من داخل الكتاب
النتائج 1-5 من 87
الصفحة 10
... because of its remarkable disagreeable- ness , is distinguished by a proper name , viz . hiatus . The most agreeable fucceffion , is , where the cavity is increased and diminished al- ternately within moderate limits . Examples ...
... because of its remarkable disagreeable- ness , is distinguished by a proper name , viz . hiatus . The most agreeable fucceffion , is , where the cavity is increased and diminished al- ternately within moderate limits . Examples ...
الصفحة 23
... because with fome writers it passes for a beauty . It is the giving different names to the fame object , mentioned more than once in the fame period . Example : Speaking of the English adventurers who first attempted the conquest of ...
... because with fome writers it passes for a beauty . It is the giving different names to the fame object , mentioned more than once in the fame period . Example : Speaking of the English adventurers who first attempted the conquest of ...
الصفحة 24
... because next in import- ance , is , That the language ought to correfpond to the fubject : grand or heroic actions or senti- ments require elevated language ; tender senti- ments ought to be expressed in words foft and flowing ; and ...
... because next in import- ance , is , That the language ought to correfpond to the fubject : grand or heroic actions or senti- ments require elevated language ; tender senti- ments ought to be expressed in words foft and flowing ; and ...
الصفحة 25
... because such imitation makes the words concordant with the sense . This doctrine may be illustrated by a familiar example : when we have occafion to mention the intimate connection that the foul hath with the body , the expreffion ought ...
... because such imitation makes the words concordant with the sense . This doctrine may be illustrated by a familiar example : when we have occafion to mention the intimate connection that the foul hath with the body , the expreffion ought ...
الصفحة 29
... because it makes a difcordance between the thought and expreffion . For the fame reafon , we ought alfo to avoid every artificial oppofition of words where there is none in the thought . This last , termed verbal antithesis , is studied ...
... because it makes a difcordance between the thought and expreffion . For the fame reafon , we ought alfo to avoid every artificial oppofition of words where there is none in the thought . This last , termed verbal antithesis , is studied ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abſtract accent action Æneid agreeable alſo appear arts beauty becauſe beſide beſt cafe cauſe chap circumſtance cloſe compariſon compoſed compoſition confidered connected courſe deſcribed deſcription diftinguiſhed emotions employ'd Engliſh epic example expreffing expreffion expreſſed fame fignify figure fimile firſt fome fuch fyllables garden hath Hexameter houſe Iliad impreffion impreſſion inſtances inverſion itſelf jects juſt language laſt leaſt leſs meaſure melody mind moſt muſic muſt nature neceſſary object obſerved occafion oppoſite paffion paſſage pauſe perſon pleaſe pleaſure poem preſent proper purpoſe raiſed reaſon reliſhed repreſentation repreſented reſemblance reſpect reſt rhyme rule ſame ſay ſcarce ſcene ſecond ſeen ſenſe ſenſible ſeparated ſerve ſeveral ſhall ſhort ſhould ſhow ſingle ſome ſpeaking ſpecies ſpectator ſpeech Spondees ſtage ſtandard ſtate ſtep ſtill ſtriking ſtudied ſtyle ſubject ſubſtantive ſuch ſupport taſte theſe thing thoſe thou thought tion uſe verſe whoſe words
مقاطع مشهورة
الصفحة 186 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
الصفحة 329 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
الصفحة 236 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
الصفحة 279 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
الصفحة 236 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
الصفحة 314 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
الصفحة 237 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
الصفحة 334 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
الصفحة 434 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
الصفحة 279 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...