Shakespeare's Imagery: And what it Tells UsMacmillan, 1935 - 408 من الصفحات An analysis of the ways in which Shakespeare's imagery functions to reveal literary and personal motives. |
من داخل الكتاب
النتائج 1-3 من 17
الصفحة 59
... continually conveyed by these touches of the colour coming and going on the speakers ' faces : Perdita's conscious blushes when ' most goddess - like prank'd up ' she meets Florizel , or her still deeper blushes when her father chides ...
... continually conveyed by these touches of the colour coming and going on the speakers ' faces : Perdita's conscious blushes when ' most goddess - like prank'd up ' she meets Florizel , or her still deeper blushes when her father chides ...
الصفحة 88
... continually conscious of a similar strength and power in the weeds and faults in human character , so that when describing the pride of Achilles , the following language is natural to him : the seeded pride That hath to this maturity ...
... continually conscious of a similar strength and power in the weeds and faults in human character , so that when describing the pride of Achilles , the following language is natural to him : the seeded pride That hath to this maturity ...
الصفحة 352
... continually employed in a way which increases the sense of grandeur , power and space , and which fills the imagination with the conception of beings so great that physical size is annihilated and the whole habitable globe shrinks in ...
... continually employed in a way which increases the sense of grandeur , power and space , and which fills the imagination with the conception of beings so great that physical size is annihilated and the whole habitable globe shrinks in ...
المحتوى
The Aim and Method explained 3 | 3 |
Shakespeares Imagery compared with | 12 |
Imagery of Shakespeare and other | 30 |
حقوق النشر | |
11 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
All's Antony Antony and Cleopatra Bacon beauty Ben Jonson birds body characteristic characters chiefly colour constant Coriolanus cries Cymbeline death declares Dekker describes dogs doth dramatists drawn Elizabethan emotion especially evil eyes fear feeling fire flood foul garden Hamlet hath heaven Henry Henry VI Honest Whore horror human idea imagery imagination interest Juliet kind King John King Lear large number Lear light Love's Love's Labour's Lost lovers Macbeth Marlowe metaphor movement nature night noticed Othello passion play poet prisoners realise Richard Richard II river Romeo Romeo and Juliet says scene seems sense Shake Shakespeare Shakespeare's images Shakespeare's mind sickness similes smell soul speare's sport sweet swift symbol tells Temp things thou thought Timon Timon of Athens touch Troilus and Cressida VIII vivid watch weeds whole wind words writers