The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 35
الصفحة 259
... Wordsworth had little or nothing to say on the second problem . The third problem was a synthesis of these two ; and this again is not touched upon in the printed text . But Wordsworth did take up a part of the second problem since he ...
... Wordsworth had little or nothing to say on the second problem . The third problem was a synthesis of these two ; and this again is not touched upon in the printed text . But Wordsworth did take up a part of the second problem since he ...
الصفحة 260
... Wordsworth blundered in correlating the notes . Coleridge continues : " It is likewise true that I warmly accord with Wordsworth in his abhorr- ence of these poetic licences , as they are called , which are indeed mere tricks of ...
... Wordsworth blundered in correlating the notes . Coleridge continues : " It is likewise true that I warmly accord with Wordsworth in his abhorr- ence of these poetic licences , as they are called , which are indeed mere tricks of ...
الصفحة 275
... Wordsworth to speak slightingly of the urban population . In a way Wordsworth appears to be moving towards aesthetic primitivism and making the rustic an ideal of great significance . Coleridge knew Herder , Vico and others . He and ...
... Wordsworth to speak slightingly of the urban population . In a way Wordsworth appears to be moving towards aesthetic primitivism and making the rustic an ideal of great significance . Coleridge knew Herder , Vico and others . He and ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write