The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
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النتائج 1-3 من 59
الصفحة viii
... classical antiquity . The influences from Italy and France during and after the Renascence cannot be brushed aside . Nor can we ignore the German thinkers who contributed much to a new atmoshphere in the early years of the nineteenth ...
... classical antiquity . The influences from Italy and France during and after the Renascence cannot be brushed aside . Nor can we ignore the German thinkers who contributed much to a new atmoshphere in the early years of the nineteenth ...
الصفحة 114
... classical to the neo - classical movement in literary criticism . Sidney was a Puritan and a Platonist . The classical revival during the Renaissance was centred round Aristotle ; and Sidney faced the problem of blending the Platonic ...
... classical to the neo - classical movement in literary criticism . Sidney was a Puritan and a Platonist . The classical revival during the Renaissance was centred round Aristotle ; and Sidney faced the problem of blending the Platonic ...
الصفحة 426
... classical view is " identical with the normal religious attitude " . Here is a call to tradition , to more than the classical tradition advocated by Arnold and Babbit . Hulme wanted a return to the orthodoxy of the original sin . But ...
... classical view is " identical with the normal religious attitude " . Here is a call to tradition , to more than the classical tradition advocated by Arnold and Babbit . Hulme wanted a return to the orthodoxy of the original sin . But ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write