The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
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النتائج 1-3 من 78
الصفحة 265
... experience must be assimilated and absorbed if it is to be recollected and contemplated upon . It involves selection of the details . In a letter of December 23 , 1829 to W. R. Hamilton , he said : " I have never given way to my own ...
... experience must be assimilated and absorbed if it is to be recollected and contemplated upon . It involves selection of the details . In a letter of December 23 , 1829 to W. R. Hamilton , he said : " I have never given way to my own ...
الصفحة 443
... experience . These distinctions are not actually tenable . If an experience is worthless , how can it be communicated well ? A good communication presupposes on Richards ' theory a poise , a harmony . The worthlessness of the experience ...
... experience . These distinctions are not actually tenable . If an experience is worthless , how can it be communicated well ? A good communication presupposes on Richards ' theory a poise , a harmony . The worthlessness of the experience ...
الصفحة 504
... experiences . Whether such experiences are the highest or not depends on the kind of satisfying imaginative experience the poet offers . And R. Graves in opposition to Bradley says , ' where poetry differs from other verse is by being ...
... experiences . Whether such experiences are the highest or not depends on the kind of satisfying imaginative experience the poet offers . And R. Graves in opposition to Bradley says , ' where poetry differs from other verse is by being ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write