The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
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النتائج 1-3 من 85
الصفحة 414
... expression and another ( as between paint and musical sound and language ) . Therefore there can be no classification of the arts , and no fruitful discussion of what can better be done by one art than by another " . Aesthetic as the ...
... expression and another ( as between paint and musical sound and language ) . Therefore there can be no classification of the arts , and no fruitful discussion of what can better be done by one art than by another " . Aesthetic as the ...
الصفحة 462
... expression is a notorious one in aesthetics . It has at least five possible meanings . Expression can be the embodiment of something in a body . The aesthetic form , however , is not merely like a body . Expression may be the outer ...
... expression is a notorious one in aesthetics . It has at least five possible meanings . Expression can be the embodiment of something in a body . The aesthetic form , however , is not merely like a body . Expression may be the outer ...
الصفحة 493
... expression of emotion . But if all such utterance is artistic , everyone would be a poet . Moreover , this theory ... expression . Carritt takes expression to be ' genuine emotion ' , for ' the most obvious note of beauty is passion ...
... expression of emotion . But if all such utterance is artistic , everyone would be a poet . Moreover , this theory ... expression . Carritt takes expression to be ' genuine emotion ' , for ' the most obvious note of beauty is passion ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write