The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 85
الصفحة 56
... gives a sense of proportion and prevents us from an undue elaboration of a detail or a part . The choice of the subject is all important . The author must find out whether the subject is suited to his abilities . If the subject is well ...
... gives a sense of proportion and prevents us from an undue elaboration of a detail or a part . The choice of the subject is all important . The author must find out whether the subject is suited to his abilities . If the subject is well ...
الصفحة 76
... gives vigour , beauty , elevation and life . These changes give the diction diversity and movement . They introduce a sudden change in the circumstances . The changes make the passage dramatic and vivid ; the reader becomes a spectator ...
... gives vigour , beauty , elevation and life . These changes give the diction diversity and movement . They introduce a sudden change in the circumstances . The changes make the passage dramatic and vivid ; the reader becomes a spectator ...
الصفحة 158
... gives a greater pleasure . Moreover , the forms of drama are related to the spirit of the nation and to that of the ... give a greater air of probabi- lity . The rules , on the other hand , actually cramp the dramatist . The observance ...
... gives a greater pleasure . Moreover , the forms of drama are related to the spirit of the nation and to that of the ... give a greater air of probabi- lity . The rules , on the other hand , actually cramp the dramatist . The observance ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write