The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 86
الصفحة 270
... human feelings and affections . He provides the strongest defence of human nature by making human life appear significant and precious . Carrying with him relationship and love into every thing he observes and experiences , he recreates ...
... human feelings and affections . He provides the strongest defence of human nature by making human life appear significant and precious . Carrying with him relationship and love into every thing he observes and experiences , he recreates ...
الصفحة 308
... human interest because they indicate the highest moments of the human experience . Such moments carry with them a certain truth , a certain conviction , arising from feeling . Images by themselves do not reveal the poetic character ...
... human interest because they indicate the highest moments of the human experience . Such moments carry with them a certain truth , a certain conviction , arising from feeling . Images by themselves do not reveal the poetic character ...
الصفحة 432
... human disposition " . But as he came to explain the terms , he quietly ignored the significance of the word " human " . The " aesthetic end " mentioned is fulfilled not only by art but by any form of beauty . All objects do have the ...
... human disposition " . But as he came to explain the terms , he quietly ignored the significance of the word " human " . The " aesthetic end " mentioned is fulfilled not only by art but by any form of beauty . All objects do have the ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write