The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 83
الصفحة 125
... knowledge " . Any objection against poetry coming from the metrical point of view cannot therefore be taken note of seriously . Then there are four basic objections against poetry . These come from Cornelius Agrippa and others , and ...
... knowledge " . Any objection against poetry coming from the metrical point of view cannot therefore be taken note of seriously . Then there are four basic objections against poetry . These come from Cornelius Agrippa and others , and ...
الصفحة 211
... knowledge . It illustrates human nature and sheds light on it . The knowledge is not new , but the form in which it is conveyed is new . The pleasure we have comes from the recognition of general human nature in the varied characters ...
... knowledge . It illustrates human nature and sheds light on it . The knowledge is not new , but the form in which it is conveyed is new . The pleasure we have comes from the recognition of general human nature in the varied characters ...
الصفحة 374
... knowledge he selects his material ; and selection itself implies a critical assessment of the work even before one goes through the work . Neither a knowledge of the causes nor a knowledge of the effects can give us an idea of the true ...
... knowledge he selects his material ; and selection itself implies a critical assessment of the work even before one goes through the work . Neither a knowledge of the causes nor a knowledge of the effects can give us an idea of the true ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write