The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
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النتائج 1-3 من 78
الصفحة 20
... object gives rise to a sensation and produces an impression . When the object is withdrawn , this impres- sion enables us to have an image of the object . The image is the meeting point of sense and understanding ( de Anim , iii . 3.427 ...
... object gives rise to a sensation and produces an impression . When the object is withdrawn , this impres- sion enables us to have an image of the object . The image is the meeting point of sense and understanding ( de Anim , iii . 3.427 ...
الصفحة 22
... object , in tending to the ideal form , attains its end . This end is immanent in the object and it is not yet actualised . The nature of an object can be interpreted only in terms of what it does or be- comes . The artist should have ...
... object , in tending to the ideal form , attains its end . This end is immanent in the object and it is not yet actualised . The nature of an object can be interpreted only in terms of what it does or be- comes . The artist should have ...
الصفحة 470
... object appears to express a value or values . These values are apprehended as having a fusion with the object . The value is in the aesthetic object . And it is not merely the product of the relational continuum operating over the ...
... object appears to express a value or values . These values are apprehended as having a fusion with the object . The value is in the aesthetic object . And it is not merely the product of the relational continuum operating over the ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write