The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 78
الصفحة 157
... plays with sub - plots , nor do they mix the tragic with the comic . The English play includes many actions ; and the result is that " the one half of our actors are not known to the other " . The absurd tragicomedy of the English has ...
... plays with sub - plots , nor do they mix the tragic with the comic . The English play includes many actions ; and the result is that " the one half of our actors are not known to the other " . The absurd tragicomedy of the English has ...
الصفحة 161
... play is not in the context of normal life . It has a heightened atmosphere , and in the heroic play and poetry , it must have this elevation , this elegance . If a repartee in the couplet makes it a product of a plot , so is one in the ...
... play is not in the context of normal life . It has a heightened atmosphere , and in the heroic play and poetry , it must have this elevation , this elegance . If a repartee in the couplet makes it a product of a plot , so is one in the ...
الصفحة 243
... play of the total personality of man . Here we have the synthesizing imp- ulse . The " play - impulse " , says Schiller , is the source of all art . It is a free , disinterested play of the faculties . The work of art is artistic only ...
... play of the total personality of man . Here we have the synthesizing imp- ulse . The " play - impulse " , says Schiller , is the source of all art . It is a free , disinterested play of the faculties . The work of art is artistic only ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write