The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
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النتائج 1-3 من 83
الصفحة 111
P. S. Sastri. The ideal characters created by the poet show the excellence of the poetic world , an excellence resulting from its realizable ideals . This , however , does not mean that the poetic creation is entirely fanciful as in the ...
P. S. Sastri. The ideal characters created by the poet show the excellence of the poetic world , an excellence resulting from its realizable ideals . This , however , does not mean that the poetic creation is entirely fanciful as in the ...
الصفحة 394
... poetic moment . Eliot is wrong in stating that Arnold ignord the poetic moment . Poetry , says Arnold , " is nothing less than the most perfect speech of man that in which he comes nearest to being able to utter the truth ' . Poetic ...
... poetic moment . Eliot is wrong in stating that Arnold ignord the poetic moment . Poetry , says Arnold , " is nothing less than the most perfect speech of man that in which he comes nearest to being able to utter the truth ' . Poetic ...
الصفحة 500
... poetic purposes , the poet must needs transform it and make it malleable . And this is achieved by the creative activity called imagination which is central to all poetic experience . Even the emo- tion that is felt in the poetic mood ...
... poetic purposes , the poet must needs transform it and make it malleable . And this is achieved by the creative activity called imagination which is central to all poetic experience . Even the emo- tion that is felt in the poetic mood ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write