The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
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الصفحة 9
... possible only when the students of literature are made to examine what they mean by literature and what they expect of it . A theory of poetry or drama is possible if we know what poetry or drama is , and if we know what these forms of ...
... possible only when the students of literature are made to examine what they mean by literature and what they expect of it . A theory of poetry or drama is possible if we know what poetry or drama is , and if we know what these forms of ...
الصفحة 24
... possible what is possible alone is likely to give credence ' ( Poet . 9.6 ) . The possible refers to the past and to rational belief . ' What may happen ' does include ' what has happened . ' The facts become poetic when they reveal ...
... possible what is possible alone is likely to give credence ' ( Poet . 9.6 ) . The possible refers to the past and to rational belief . ' What may happen ' does include ' what has happened . ' The facts become poetic when they reveal ...
الصفحة 32
... possible , to confine itself to a single revolution of the sun , or but slightly to exceed this limit ; whereas the epic action has no limits of time " ( 5.4 ) . Here is an observed fact , and it is accepted as valid . In the earlier ...
... possible , to confine itself to a single revolution of the sun , or but slightly to exceed this limit ; whereas the epic action has no limits of time " ( 5.4 ) . Here is an observed fact , and it is accepted as valid . In the earlier ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write