The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
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النتائج 1-3 من 79
الصفحة 255
... reveals his enormous ignorance of the orient , even when Schlegel was speaking about Sanskrit drama . Towards the end Hegel does offer a significant account of the nature of art . He writes : " In art we have to do with no mere toy of ...
... reveals his enormous ignorance of the orient , even when Schlegel was speaking about Sanskrit drama . Towards the end Hegel does offer a significant account of the nature of art . He writes : " In art we have to do with no mere toy of ...
الصفحة 357
... reveal the " individual specialities " of the author . The man within and behind the book , not the man in his external trappings , but the essen- tial spiritual identity , reveals himself to the discerning reader and critic . With all ...
... reveal the " individual specialities " of the author . The man within and behind the book , not the man in his external trappings , but the essen- tial spiritual identity , reveals himself to the discerning reader and critic . With all ...
الصفحة 432
... reveals itself as beautiful . The spectator beholds it and attributes a meaning to it . But how are these two related ? Moreover , Joyce is talking about beauty in general . Can it be ap- plied to the beauty of a work of art . The ...
... reveals itself as beautiful . The spectator beholds it and attributes a meaning to it . But how are these two related ? Moreover , Joyce is talking about beauty in general . Can it be ap- plied to the beauty of a work of art . The ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write