The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 89
الصفحة 121
... says , is " an imitation of the common errors of our life " . These errors are represented here " in the most ridiculous and scornful " manner , and the result is that no one would like to have any of these errors . Comedy has then a ...
... says , is " an imitation of the common errors of our life " . These errors are represented here " in the most ridiculous and scornful " manner , and the result is that no one would like to have any of these errors . Comedy has then a ...
الصفحة 204
P. S. Sastri. character is examined with reference to what he does , what he says , and what others say of him . Emphasising that Shakespeare presents his characters " in the round " , he observes that " the impression is the fact " . He ...
P. S. Sastri. character is examined with reference to what he does , what he says , and what others say of him . Emphasising that Shakespeare presents his characters " in the round " , he observes that " the impression is the fact " . He ...
الصفحة 504
... say what the value of a particular poem is , we can only point to the poem . As de Selincourt put it , ' what the poet communicates in his poem is just what the poem says ' . 35 NEO - ARISTOTELIANISM Literary criticism is inseparable ...
... say what the value of a particular poem is , we can only point to the poem . As de Selincourt put it , ' what the poet communicates in his poem is just what the poem says ' . 35 NEO - ARISTOTELIANISM Literary criticism is inseparable ...
المحتوى
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write