Essays on Chivalry, Romance, and the DramaCadell, 1834 - 395 من الصفحات |
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الصفحة 220
... representation and personification of the scene . The history of Greece - of that wonderful coun- try , whose days of glory have left such a never- dying blaze of radiance behind them - the history of Greece affords us the means of ...
... representation and personification of the scene . The history of Greece - of that wonderful coun- try , whose days of glory have left such a never- dying blaze of radiance behind them - the history of Greece affords us the means of ...
الصفحة 221
... representations , describes them as the fantastic orgies of shepherds and peasants , who solemnized the rites of Bacchus by the sacrifice of a goat , by tumultuous dances , and by a sort of mas- querade , in which the actors were ...
... representations , describes them as the fantastic orgies of shepherds and peasants , who solemnized the rites of Bacchus by the sacrifice of a goat , by tumultuous dances , and by a sort of mas- querade , in which the actors were ...
الصفحة 223
... representation . This was not all : A theatre , at first of wood , but afterwards of stone , circumscribed , while it accom- modated , the spectators , and reduced a casual and disorderly mob to the quality and civilisation of a regular ...
... representation . This was not all : A theatre , at first of wood , but afterwards of stone , circumscribed , while it accom- modated , the spectators , and reduced a casual and disorderly mob to the quality and civilisation of a regular ...
الصفحة 228
... representation from beginning to end . The piece was not , indeed , constantly progressive , but the illusion of the scene was always before the au- dience , either by means of the actors themselves , or of the Chorus . And the musical ...
... representation from beginning to end . The piece was not , indeed , constantly progressive , but the illusion of the scene was always before the au- dience , either by means of the actors themselves , or of the Chorus . And the musical ...
الصفحة 234
... exalted the minds of a large assembly , which prepared them to receive the electric shock produced by the visible representation of those terrible beings , to whom , whether as personifying the 234 ESSAY ON THE DRAMA .
... exalted the minds of a large assembly , which prepared them to receive the electric shock produced by the visible representation of those terrible beings , to whom , whether as personifying the 234 ESSAY ON THE DRAMA .
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acted action actors adventures Æschylus affection amusement ancient appear Aristophanes Aristotle arms audience battle betwixt Brantome called champion character Charlemagne Chorus circumstances classical combat comedy comic composition Corneille court critical degree dialogue display Drama England English Eschylus Euripides exist extravagant favour female fiction France French Froissart genius Grecian hero honour horse imitation introduced King King Arthur knight knighthood lady lance language Lord manners metrical middle ages minstrels modern Molière moral nature noble origin pas d'armes passion peculiar pennon Perceforest performed period personages persons piece Plautus play plot poet poetry prince probably profession racter rank recited representation ridicule Romance romantic fiction rude rules Saint satire scene sentiment Shakspeare Skalds solemn Sophocles spectators spirit of Chivalry squire stage style supposed Susarion sword talent taste theatre theatrical Thespis tion tournament tragedy Tristrem unities valour youth