of the French.

estuary narrows suddenly into the river, and often exceeds 7 ft. I became a French settlement in 1688. The English captured this in height. It is felt as high up as Calcutta, and frequently destroys town twice, but since 1816 it has remained in the possession small boats. The difference from the lowest point of low-water in the dry season to the highest point of high-water in the rains is reported to be 20 ft. 10 in. The greatest mean rise of tide, about 16 ft., takes place in March, April or May-with a declining range | during the rainy season to a mean of 10 ft., and a minimum during freshets of 3 ft. 6 in.

HUGLI, or HOOGHLY, a town and district of British India, in the Burdwan division of Bengal, taking their name from the river Hugli. The town, situated on the right bank of the Hugli, 24 m. above Calcutta by rail, forms one municipality with Chinsura, the old Dutch settlement, lower down the river. Pop. (1901) 29,383. It contains the Hooghly College at Chinsura, a Mahommedan college, two high schools and a hospital with a Lady Dufferin branch for female patients. The principal building is a handsome imambara, or mosque, constructed out of funds which had accumulated from an endowment originally left for the purpose by a wealthy Shia gentleman, Mahommed Mohsin. The town was founded by the Portuguese in 1537, on the decay of Satgaon, the royal port of Bengal. Upon establishing themselves, they built a fort at a place called Gholghat (close to the present jail), vestiges of which are still visible in the bed of the river. This fort gradually grew into the town and port of Hugli. The DISTRICT Comprises an area of 1191 sq. m. In 1901 the population was 1,049,282, showing an increase of 1% in the decade. It is flat, with a gradual ascent to the north and northwest. The scenery along the high-lying bank of the Hugli has a quiet beauty of its own, presenting the appearance of a connected series of orchards and gardens, interspersed with factories, villages and temples. The principal rivers, besides the Hugli, are the Damodar and the Rupnarayan. As in other deltaic districts, the highest land lies nearest the rivers, and the lowest levels are found midway between two streams. There are in consequence considerable marshes both between the Hugli and the Damodar and between the latter river and the Rupnarayan. The district is traversed by the main line of the East Indian railway, with a branch to the pilgrim resort of Tarakeswar, whence a steam tramway has been constructed for a further distance of 31 m. The Eden canal furnishes irrigation, and there are several embankments and drainage works. Silk and indigo are both decaying industries, but the manufacture of brass and bell-metal ware is actively carried on at several places. There are several jute mills, a large flour mill, bone-crushing mills| and a brick and tile works.

From an historical point of view the district possesses as much interest as any in Bengal. In the early period of Mahommedan rule Satgaon was the seat of the governors of Lower Bengal and a mint town. It was also a place of great commercial importance. In consequence of the silting up of the Saraswati, the river on which Satgaon was situated, the town became inaccessible to large ships, and the Portuguese settled at Hugli. In 1632 the latter place, having been taken from the Portuguese by the Mahommedans, was made the royal port of Bengal; and all the public offices and records were withdrawn from Satgaon, which rapidly fell into decay. In 1640 the East India Company established a factory at Hugli, their first settlement in Lower Bengal. In 1685, a dispute having taken place between the English factors and the nawab, the town was bombarded and burned to the ground. This was not the first time that Hugli had been the scene of a struggle deciding the fate of a European power in India. In 1629, when held by the Portuguese, it was besieged for three months and a half by a large Mahommedan force sent by the emperor Shah Jahan. The place was carried by storm; more than 1000 Portuguese were killed, upwards of 4000 prisoners taken, and of 300 vessels only 3 escaped. But Hugli district possesses historical interest for other European nations besides England and Portugal. The Dutch established themselves at Chinsura in the 17th century, and held the place till 1825, when it was ceded to Great Britain in exchange for the island of Sumatra. The Danes settled at Serampur in 1616, where they remained till 1845, when all Danish possessions in India were transferred to the East India Company. Chandernagore

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See D. G. Crawford, A Brief History of the Hooghly District (Calcutta, 1903).

HUGO, GUSTAV VON (1764-1844), German jurist, was born at Lörrach in Baden, on the 23rd of November 1764. From the gymnasium at Carlsruhe he passed in 1782 to the university of Göttingen, where he studied law for three years. Having received the appointment of tutor to the prince of Anhalt-Dessau, he took his doctor's degree at the university of Halle in 1788. Recalled in this year to Göttingen as extraordinary professor of law, he became ordinary professor in 1792. In the preface to his Beiträge zur zivilistischen Bücherkenntnis der letzten vierzig Jahre (1828-1829) he gives a sketch of the condition of the civil law teaching at Göttingen at that time. The Roman Canon and German elements of the existing law were, without criticism or differentiation, welded into an ostensible whole for practical needs, with the result that it was difficult to say whether historical truth or practical ends were most prejudiced. One man handed on the inert mass to the next in the same condition as he had received it, new errors crept in, and even the best of teachers could not escape from the false method which had become traditional. These were the evils which Hugo set himself to combat, and he became the founder of that historical school of jurisprudence which was continued and further developed by Savigny. His magna opera are the Lehrbuch eines zivilistischen Kursus (7 vols., 1792-1821), in which his method is thoroughly worked out, and the Zivilistisches Magazin (6 vols., 1790-1837). He died at Göttingen on the 15th of September 1844.

For an account of his life see Eyssenhardt, Zur Erinnerung an Gustav Hugo (Berlin, 1845).

HUGO, VICTOR MARIE (1802-1885), French poet, dramatist and romance-writer, youngest son of General J. L. S. Hugo (1773-1828), a distinguished soldier in Napoleon's service, was born at Besançon on the 26th of February 1802. The all but still-born child was only kept alive and reared by the indefatigable devotion of his mother Sophie Trébuchet (d. 1821), a royalist of La Vendée. Educated first in Spain and afterwards in France, the boy whose infancy had followed the fortunes of the imperial camp grew up a royalist and a Catholic. His first work in poetry and in fiction was devoted to the passionate proclamation of his faith in these principles.

The precocious eloquence and ardour of these early works made him famous before his time. The odes which he published at the age of twenty, admirable for their spontaneous fervour and fluency, might have been merely the work of a marvellous boy; the ballads which followed them two years later revealed him as a great poet, a natural master of lyric and creative song. In 1823, at the age of twenty-one, he married his cousin Adèle Foucher (d. 1868). In the same year his first romance, Has d'Islande, was given to the press; his second, Bug-Jargal, appeared three years later. In 1827 he published the great dramatic poem of Cromwell, a masterpiece at all points except that of fitness for the modern stage. Two years afterwards he published Les Orientales, a volume of poems so various in style, so noble in spirit, so perfect in workmanship, in music and in form, that they might alone suffice for the foundation of an immortal fame. In the course of nine years, from 1831 to 1840, he published Les Feuilles d'automne, Les Chants du crépuscule, Les Voix intérieures and Les Rayons et les ombres.

That their author was one of the greatest elegiac and lyric poets ever born into the world, any one of these volumes would amply suffice to prove. That he was the greatest tragic and dramatic poet born since the age of Shakespeare, the appearance of Hernani in 1830 made evident for ever to all but the meanest and most perverse of dunces and malignants. The earlier and even greater tragedy of Marion de Lorme (1828) had been proscribed on the ground that it was impossible for royalty to tolerate the appearance of a play in which a king was represented as the puppet of a minister. In all the noble and glorious life of the greatest poet of his time there is nothing on record

more chivalrous and characteristic than the fact that Victor | less generous in aim and always as fervent in its constancy Hugo refused to allow the play which had been prohibited by to patriotic and progressive principle. When the conspiring the government of Charles X. to be instantly produced under forces of clerical venality and political prostitution had placed a the government of his supersessor. Le Roi s'amuse (1832), putative Bonaparte in power attained by perjury after perjury, the next play which Hugo gave to the stage, was prohibited and supported by massacre after massacre, Victor Hugo, in by order of Louis Philippe after a tumultuous first night-to common with all hor.ourable men who had ever taken part in reappear fifty years later on the very same day of the same political or public life under the government superseded by month, under the eyes of its author, with atoning acclamation force of treason and murder, was driven from his country into from a wider audience than the first. Terror and pity had never an exile of well-nigh twenty years. Next year he published found on the stage word or expression which so exactly realized Napoléon le petit; twenty-five years afterwards, Histoire d'un the ideal aim of tragic poetry among the countrymen of Aeschylus crime. In these two books his experience and his opinion of and Sophocles since the time or since the passing of Shakespeare, the tactics which founded the second French empire stand of Marlowe and of Webster. The tragedy of Lucrèce Borgia, registered for all time. In the deathless volume of Châtiments, coequal in beauty and power with its three precursors, followed which appeared in 1853, his indignation, his genius, and his next year in the humbler garb of prose; but the prose of Victor | faith found such utterance and such expression as must recall Hugo stands higher on the record of poetry than the verse of to the student alternately the lyric inspiration of Coleridge and any lesser dramatist or poet. Marie Tudor (1833), his next Shelley, the prophetic inspiration of Dante and Isaiah, the play, was hardly more daring in its Shakespearean defiance of satiric inspiration of Juvenal and Dryden. Three years after historic fact, and hardly more triumphant in its Shakespearean Les Châtiments, a book written in lightning, appeared Les loyalty to the everlasting truth of human character and passion. Contemplations, a book written in sunlight and starlight. Of the Angelo, Tyran de Padoue (1835), the last of the tragic triad to six parts into which it is divided, the first translates into manywhich their creator denied the transfiguration of tragic verse, sided music the joys and sorrows, the thoughts and fancies, the is inferior to neither in power of imagination and of style, in studies and ardours and speculations of youth; the second, as skill of invention and construction, and in mastery over all full of light and colour, grows gradually deeper in tone of thought natural and noble sources of pity and of terror. La Esmeralda, and music; the third is yet riper and more various in form of the libretto of an opera founded on his great tragic romance melody and in fervour of meditation; the fourth is the noblest of Notre-Dame de Paris, is a miracle of lyric melody and of of all tributes ever paid by song to sorrow-a series of poems skilful adaptation. Ruy Blas (1838) was written in verse, consecrated to the memory of the poet's eldest daughter, who and in such verse as none but he could write. In command was drowned, together with her husband, by the upsetting of and in expression of passion and of pathos, of noble and of evil a boat off the coast of Normandy, a few months after their nature, it equals any other work of this great dramatic poet; wedding-day, in 1843; the fifth and the sixth books, written in the lifelike fusion of high comedy with deep tragedy it excels during his first four years of exile (all but one noble poem which them all. Les Burgraves, a tragic poem of transcendent beauty bears date nine years earlier than its epilogue or postscript), in execution and imaginative audacity in conception, found contain more than a few poems unsurpassed and unsurpassable so little favour on the stage that the author refused to submit for depth and clarity and trenchancy of thought, for sublimity his subsequent plays to the verdict of a public audience. of inspiration, for intensity of faith, for loyalty in translation Victor Hugo's first mature work in prose fiction, Le Dernier from nature, and for tenderness in devotion to truth; crowned Jour d'un condamné, has appeared thirteen years earlier (1829). and glorified and completed by their matchless dedication to As a tragic monodrama it is incomparable for sustained power the dead. Three years later again, in 1859, Victor Hugo gave and terrible beauty. The story of Claude Gueux, published to the world the first instalment of the greatest book published five years later (1834), another fervent protest against the in- in the 19th century, La Légende des siècles. Opening with a fliction of capital punishment, was followed by many other vision of Eve in Paradise which eclipses Milton's in beauty no eloquent and passionate appeals to the same effect, written or less than in sublimity-a dream of the mother of mankind at spoken on various occasions which excited the pity or the the hour when she knew the first sense of dawning motherhood, indignation of the orator or the poet. In 1831 appeared the it closes with a vision of the trumpet to be sounded on the day greatest of all tragic or historic or romantic poems in the form of judgment which transcends the imagination of Dante by of prose narrative, Norte-Dame de Paris. Three years after-right of a realized idea which was utterly impossible of conception wards the author published, under the title of Littérature et philosophie mêlées, a compilation or selection of notes and essays ranging and varying in date and in style from his earliest effusions of religious royalism to the magnificent essay on Mirabeau which represents at once the historical opinion and the critical capacity of Victor Hugo at the age of thirty-two. Next year he published Le Rhin, a series of letters from Germany, brilliant and vivid beyond all comparison, containing one of the most splendid stories for children ever written, and followed by a political supplement rather pathetically unprophetic in its predictions.

At the age of thirty-eight he honoured the French Academy by taking his place among its members; the speech delivered on the occasion was characteristically generous in its tribute to an undeserving memory, and significantly enthusiastic in its glorification of Napoleon. Idolatry of his father's hero and leader had now superseded the earlier superstition inculcated by his mother. In 1846 his first speech in the chamber of peers -Louis Philippe's House of Lords-was delivered on behalf of Poland; his second, on the subject of coast defence, is memorable for the evidence it bears of careful research and practical suggestion. His pleading on behalf of the exiled family of Bonaparte induced Louis Philippe to cancel the sentence which excluded its members from France. After the fall and flight of the house of Orleans, his parliamentary eloquence was never

to a believer in Dante's creed: the idea of real and final equity; the concept of absolute and abstract righteousness. Between this opening and this close the pageant of history and of legend, marshalled and vivified by the will and the hand of the poet, ranges through an infinite variety of action and passion, of light and darkness, of terror and pity, of lyric rapture and of tragic triumph.

After yet another three years' space the author of La Légende des siècles reappeared as the author of Les Misérables, the greatest epic and dramatic work of fiction ever created or conceived: the epic of a soul transfigured and redeemed, purified by heroism and glorified through suffering; the tragedy and the comedy of life at its darkest and its brightest, of humanity at its best and at its worst. Two years afterwards the greatest man born since the death of Shakespeare paid homage to the greatest of his predecessors in a volume of magnificent and discursive eloquence which bore the title of William Shakespeare, and might, as its author admitted and suggested, more properly have been entitled À propos de Shakespeare. It was undertaken with the simple design of furnishing a preface to his younger son's translation of Shakespeare; a monument of perfect scholarship, of indefatigable devotion, and of literary genius, which eclipses even Urquhart's Rabelais-its only possible competitor; and to which the translator's father prefixed a brief and admirable note of introduction in the year after the

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in a sermon declared that the Lutherans ought to be called | in the Reform movement; at that synod fifteen churches were Huguenots as kinsmen of King Hugo, inasmuch as they would represented, two years later, in 1561, the number increased to only go out at night as he did. This nickname became popular 2150. The parlements were powerless before this increase; from 1560 onwards, and for a long time the French Protestants thousands left the Catholic Church, and when it was seen that were always known by it. execution and popular massacre provided no solution of the difficulty the struggle was carried into the arena of national politics. On the side of the reformers were ranged some among the noblest Frenchmen of the age, Coligny, La Noue, Duplessis Mornay, Jean Cousin, Ramus, Marot, Ambroise Paré, Olivier de Serres, Bernard Palissy, the Estiennes, Hotman, Jean de Serres, with the princess Renée of France, Jeanne d'Albret, Louise de Coligny. The policy which refused liberty of conscience to the reformers and thus plunged the country into the horrors of civil war came near to causing a national catastrophe. For more than fifty years the history of the Huguenots is that of France (15601629). Francis II., who succeeded Henry II. at the age of sixteen, married Mary Stuart, and fell under the domination of the queen's uncles, the Guises, who were to lead the anti-Reform party. The Bourbons, the Montmorencies, the Chatillons, out of hostility to them, became the chiefs of the Huguenots.

France could not stand outside the religious movement of the 16th century. It is true that the French reform movement has often been regarded as an offshoot of Lutheranism; up to the middle of the century its adherents were known as Lutherans. But it should not be forgotten that so early as 1512 Jacobus Faber (q.v.) of Etaples published his Santi Pauli Epistolae xiv. .. cum commentariis, which enunciates the cardinal doctrine of reform, justification by faith, and that in 1523 appeared his French translation of the New Testament. The first Protestants were those who set the teachings of the Gospel against the doctrines of the Roman Church. As early as 1525 Jacques Pavannes, the hermit of Livry, and shortly afterwards Louis de Berquin, the first martyrs, were burned at the stake. But no persecution could stop the Reform movement, and on the walls of Paris and even at Amboise, on the very door of Francis I.'s bedroom, there were found placards condemning the mass (1534). On the 29th of January 1535 an edict was published ordering the extermination of the heretics. From this edict dates the emigration of French Protestants, an emigration which did not cease till the middle of the 18th century. Three years later (1538) at Strassburg the first French Protestant Church, composed of 1500 refugees, was founded..

Of all these exiles the most famous was John Calvin (q.v.), the future leader of the movement, who fled to Basel, where he is said to have written the famous Institutio christianae religionis, preceded by a letter to Francis I. in which he pleaded the cause of the reformers. The first Protestant community in France was that of Meaux (1546) organized on the lines of the church at Strassburg of which Calvin was pastor. The Catholic Florimond de Remond paid it the beautiful tribute of saying that it seemed as though la chrétienté fut revenue en elle à sa primitive innocence."

Persecution, however, became more rigorous. The Vaudois of Cabrières and Mérindol had in 1545 been massacred by the orders of Jean de Maynier, baron d'Oppède, lieutenant-general of Provence, and at Paris was created a special court in the parlement, for the suppression of heretics, a court which became famous in history as the Chambre ardente (1549). In spite of persecution the churches became more numerous; the church at Paris was founded in 1556. They realized the necessity of uniting in defence of their rights and their liberty, and in 1558 at Poitiers it was decided that all the Protestant churches in France should formulate by common accord a confession of faith and an ecclesiastical discipline. The church at Paris was commissioned to summon the first synod, which in spite of the danger of persecution met on the 25th of May 1559. The Synod of Paris derived its inspiration from the constitution introduced by Calvin at Geneva, which has since become the model for all the presbyterian churches. Ecclesiastical authority resides ultimately in the people, for the faithful select the elders who are charged with the general supervision of the church and the choice of pastors. The churches are independent units, and there can be no question of superiority among them; at the same time they have common interests and their unity must be maintained by an authority which is capable of protecting them. The association of several neighbouring churches forms a local council (colloque). Over these stands the provincial synod, on which each church is equally represented by lay delegates and pastors. Supreme authority resides in the National Synod composed of representatives, lay and ecclesiastic, elected by the provincial synods. The democratic character of this constitution of elders and synods is particularly remarkable in view of the early date at which it began to flourish. The striking individuality of the Huguenot character cannot be fully realized without a clear understanding of this powerful organization which contrived to reconcile individual liberty with a central authority.

The conspiracy of Amboise, formed with the object of kidnapping the king (March 1560), was discovered, and resulted in the death of the plotters; it was followed by the proclamation of the Edict of Romorantin which laid an interdict upon the Protestant religion. But the reformers had become so powerful that Coligny, who was to become their most famous leader, protested in their name against this violation of liberty of conscience. The Guise party caused the prince of Condé to be arrested and condemned to death, but the sentence was not carried into effect, and at this moment Catherine de' Medici became regent on the accession of Charles IX. She introduced Italian methods of government, alternating between concessions and vigorous persecution, both alike devoid of sincerity. For a moment, at the colloquy of Poissy (Oct. 1561), at which Roman Catholic and Protestant divines were assembled together and Theodore Beza played so important a part, it seemed as though a modus vivendi would be established. The attempt failed, but by the edict of January 1562, religious liberty was assured to the Huguenots. This, however, was merely the prelude to civil war, the signal for which was given by the Guises, who slaughtered a number of Huguenots assembled for worship in a barn at Vassy (March 1, 1562). The duke of Guise, entering Paris in triumph, transferred the court to Fontainebleau by a daring coup d'état in defiance of the queen regent. It was then that Condé declared "qu'on ne pouvait plus rien espérer que de Dieu et ses armes," and with the Huguenot leaders signed at Orleans (April 11, 1562) the manifesto in which, having declared their loyalty to the crown, they stated that as good and loyal subjects they were driven to take up arms for liberty of conscience on behalf of the persecuted saints. The first civil war had already broken out; till the end of the century the history of France is that of the struggle between the Huguenots upholding "The Cause" (La Cause) and the Roman Catholics fighting for the Holy League (La Sainte Ligue). The leading events only will be related here (see also FRANCE: History). The Huguenots lost the battle of Dreux (Dec. 19, 1562), the duke of Guise was assassinated by Poltrot de Méré (Feb. 18, 1563) and finally Condé signed the Edict of Amboise which put an end to this first war. But the League gradually extended its action and Catherine de' Medici entered into negotiations with Spain. The Huguenots, seeing their danger, renewed hostilities, but after their defeat at St Denis (Nov. 10, 1567) and the revolt of La Rochelle, peace was concluded at Longjumeau (March 23, 1568). This truce lasted only a few months. Pope Pius V. did not cease to demand the extermination of the heretics, and the queen mother finally issued the edict of the 28th of September 1568, which put the Huguenots outside the protection of the law. The Huguenots once more took up arms, but were defeated at Jarnac (March 13, 1569), and Condé was taken prisoner and assassinated by Montesquiou. But Jeanne d'Albret renewed the courage of the vanquished by presenting to them her son Henri de Bourbon, the future Henry IV.

The synod of 1559 was the beginning of a remarkable increase Coligny, whose heroic courage rose with adversity, collected the XIII. 15

remnants of the Protestant army and by a march as able as it | king could not, however, endure the humiliation of hearing Henry