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peculiar to Shakspeare, and have been too apt to impute to him as a blemish : but the quotations of this class do effectually purge him from such a charge, which is one reason of their profusion ; though another main inducement to it has been, a defire of shewing the true force and meaning of the aforesaid unusual words and expressions; which can no way be better ascertain'd, than by a proper variety of well-chosen examples. Now, -to bring this matter home to the subject for which it has been alledg’d, and upon whose account this affair is now lay'd before the publick somewhat before it's time, who is so short-sighted as not to perceive, upon first reflection, that, without manifest injustice, the notes upon this author could not precede the publication of the work we have been describing ; whose choicest materials would unavoidably and certainly have found a place in those notes, and so been twice retail'd upon the world; a practice which the editor has often condemn'd in others, and could therefore not refolve to be guilty of in himself ? By postponing these notes a while, things will be as they ought : they will then be confin'd to that which is their proper subject, explanation alone, intermix'd with some little criticism; and instead of long quotations, which would otherwise have appear’d in them, the School of Shakspeare will be referr'd to occasionally; and one of the many indexes with which this fame School will be provided, will afford an ampler and truer Glossary than can be made out of any other matter. In the mean while, and 'till such time as the whole can be got ready, and their way clear’d for them by publication of the book above-mention'd, the reader will please to take in good part some few of these notes with which he will be presented by and by : they were written at least four years ago, with intention of placing them at the head of the several notes that are design'd for each play; but are now detach'd from their fellows, and made parcel of the Introduction, in compliance with some friends' opinion; who having given them a perusal, will needs have it, that 'tis expedient the world should be made acquainted forthwith-in what sort of reading the poor poet himself, and his editor after him, have been unfortunately immers’d.

This discourse is run out, we know not how, into greater heap of leaves than was any ways thought of, and has perhaps fatigu'd the reader equally with the penner of it: yet can we not difmiss him, nor lay down our pen, 'till one article more has been enquir’d into, which seems no less proper for the discussion of this place, than one which we have inserted before, beginning at p. 333; as we there ventur'd to stand up in the behalf of some of the quarto's and maintain their authenticity, so mean we to have the hardiness here to defend some certain plays in this collection from the attacks of a number of writers who have thought fit to call in question their genuineness: the plays contested are --The Three Parts of Henry VI.; Love's Labour's Lost; The Taming of the Shrew and Titus Andronicus; and the sum of what is brought against them, so far at least as is hitherto come to knowledge, may be all ultimately resolv'd into the fole opinion of their unworthiness, exclu

five of some weak furmises which do not deserve a • notice: it is therefore fair and allowable, by all laws

of duelling, to oppose opinion to opinion; which if we can strengthen with reasons, and something

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like proofs, which are totally wanting on the other fide, the last opinion may chance to carry the day.

To begin then with the first of them, the Henry VI. in three parts. We are quite in the dark as to when the first part was written; but should be apt to conjecture, that it was some confiderable time after the other two; and, perhaps, when those two were re-touch'd, and made a little fitter than they are in their first draught to rank with the author's other plays which he has fetch'd from our English history and those two parts, even with all their re-touchings, being still much inferior to the other plays of that class, he may reasonably be suppos’d to have underwrit himself on purpose in the first, that it might the better match with those it belong'd to : now that these two plays (the first draughts of them, at least,) are among his early performances, we know certainly from their date; which is further confirm'd by the two concluding lines of his Henry V. spoken by the Chorus ; and (possibly) it were not going too far, to imagine-that they are his second attempt in history, and near in time to his original King John, which is also in two parts : and, if this be so, we may safely pronounce them his, and even highly worthy of him ; it being certain, that there was no English play upon the stage, at that time, which can come at all in competition with them; and this probably it was, which procur'd them the good reception that is mention'd too in the Chorus. The plays we are now speaking of have been inconceiveably mangld either in the copy or the press, or perhaps both : yet this may be discover'd in them,—that the alterations made afterwards by the author are nothing near so considerable as those in some other plays; the incidents, the characters, every principal outline in short being the same in both draughts; so that what we thall have occasion to say of the second, may, in some degree, and without much violence, be apply'd also to the first : and this we presume to say of it ;~that, low as it must be set in comparison with his other plays, it has beauties in it, and grandeurs, of which no other author was capable but Shakspeare only : that extreamly-affecting scene of the death of young Rutland, that of his father which comes next it, and of Clifford the murtherer of them both; Beaufort's dreadful exit, the exit of King Henry, and a scene of wondrous fimplicity and wondrous tenderness united, in which that Henry is made a speaker, while his last decisive battle is fighting -are as so many stamps upon these plays; by which his property is mark'd, and himself declar'd the owner of them, beyond controversy as we think: and though we have selected these palsages only, and recommended them to observation, it had been easy to name abundance of others which bear his mark as strongly: and one circumstance there is that runs through all the three plays, by which he is as surely to be known as by any other that can be thought of; and that is, the preservation of character : all the personages in them are distinctly and truly delineated, and the character given them sustain'd uniformly throughout; the enormous Richard's particularly, which in the third of these plays is seen rising towards it's zenith: and who fees not the future monster, and acknowledges at the same time the pen that drew it, in these two lines only, spoken over a king who lies ftab'd before him,

“ What, will the aspiring blood of Lancaster
“ Sink in the ground ? I thought, it would have

mounted.”

let him never pretend discernment hereafter in

any case of this nature.

It is hard to persuade one's self, that the objecters to the play which comes next are indeed serious in their opinion; for if he is not visible in Love's Labour's Lost, we know not in which of his comedies he can be said to be fo: the ease and sprightliness of the dialogue in very many parts of it ; it's quick turns of wit, and the humour it abounds in ; and (chiefly) in those truly comick characters, the pedant and his companion, the page, the constable, Costard, and Armado,—seem more than sufficient to prove Shakspeare the author of it: and for the bleinishes of this play, we must seek the true cause in it's antiquity ; which we may venture to carry higher than 1598, the date of it's first impression: rime, when this play appear’d, was thought a beauty of the drama, and heard with fingular pleasure by an audience who but a few years

before, had been accustom'd to all rime; and the measure we call dogrel, and are so much offended with, had no such effect upon the ears of that time: but whether blemishes or no, however this matter be which we have brought to exculpate him, neither of these articles can with any face of juftice be alledg'd against Love's Labour's Loft, seeing they are both to be met with in several other plays, the genuineness of which has not been queftion'd by any one. And one thing more shall be observ’d in the behalf of this play ;-that the author himself was so little displeas'd at least with some parts of it, that he has brought them a second time

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