Ibsen's WomenCambridge University Press, 24/05/2001 - 412 من الصفحات This is the first comprehensive study of the women in Ibsen's plays and their relationship to the women in the life and career of the playwright. Through close critical readings of the Ibsen texts, as well as the examination of such primary sources as letters and personal papers, Joan Templeton discovers how the important figures in his life (his family, wife, and the actresses themselves) influenced and informed the powerful and inspiring characters he created. Templeton also explores the importance of the early plays and their impact on the later works, and establishes some general patterns in Ibsen's general representation of women. |
من داخل الكتاب
النتائج 1-5 من 31
الصفحة 24
... represent Ibsen's conception of the two basic kinds of Woman : the terrible and the gentle . So insistent does this become in the play - and by extension , presumably , for Ibsen - that the struggle in the play between the two women for ...
... represent Ibsen's conception of the two basic kinds of Woman : the terrible and the gentle . So insistent does this become in the play - and by extension , presumably , for Ibsen - that the struggle in the play between the two women for ...
الصفحة 27
... representing heedless and destruc- tive ambition , " ignores the center of the play's dramatic action - the hero's developing allegiance to the demands of the dark woman . In the first example of Ibsen's paradigmatic triad of a man ...
... representing heedless and destruc- tive ambition , " ignores the center of the play's dramatic action - the hero's developing allegiance to the demands of the dark woman . In the first example of Ibsen's paradigmatic triad of a man ...
الصفحة 37
... represents either rebellion from or allegiance to her wom- an's duty to marry suitably . Trapped and frustrated in a marriage of convenience and loving another man , Margit is the antecedent of Hjørdis of The Vikings at Helgeland ...
... represents either rebellion from or allegiance to her wom- an's duty to marry suitably . Trapped and frustrated in a marriage of convenience and loving another man , Margit is the antecedent of Hjørdis of The Vikings at Helgeland ...
الصفحة 88
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 94
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
IX | 53 |
X | 58 |
XI | 74 |
XII | 80 |
XIII | 90 |
XIV | 108 |
XV | 110 |
XVI | 128 |
XXIV | 206 |
XXV | 210 |
XXVI | 218 |
XXVII | 225 |
XXVIII | 229 |
XXIX | 233 |
XXX | 263 |
XXXI | 278 |
XVII | 137 |
XVIII | 146 |
XIX | 163 |
XX | 166 |
XXI | 181 |
XXII | 194 |
XXIII | 204 |
XXXII | 291 |
XXXIII | 302 |
XXXIV | 323 |
XXXV | 336 |
373 | |
380 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Agnes Alfred Alfred's Alving Alving's Asta Beata Bernick Bolette Brand called Camilla Collett Catiline child claim daughter Dead Awaken death diary Doll House drama Ebbell Ekdal Ellida Emilie Bardach Erhart Falk father female feminine feminism feminist Furia Ghosts Gina Gossensass Gregers Grimstad Gunhild Haakon Hedda Gabler Hedvig Helene Helmer Henrik Ibsen Hilda Hildur Andersen Hjalmar Hjørdis hulder husband Ibsen wrote Ibsen's plays insists Irene John Gabriel Borkman Koht Lady later letters Little Eyolf live Lona Løvborg Love's Comedy male Margit marriage married Master Builder Meyer modern moral mother never Nora Nora's Norwegian notes Oslo passion Peer Gynt Peer's Pillars of Society play's protagonist Rebecca refuses relation Rita Rita's romantic Rosmer Rosmersholm Rubek sexual Sigurd Skien Skule Solness Solveig Stockmann Suzannah Ibsen Suzannah Thoresen Svanhild Tesman Thea Theatre tion Torvald troll truth Vikings at Helgeland Wangel wife Wild Duck woman women write young