Among My BooksMacMillan & Company, 1870 - 686 من الصفحات |
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الصفحة 18
... style such as suited ripeness of years ; his gait was grave and gentlemanlike ; and his bearing , whether public or private , wonderfully composed and polished . In meat and drink he was most temperate , nor was ever any more zealous in ...
... style such as suited ripeness of years ; his gait was grave and gentlemanlike ; and his bearing , whether public or private , wonderfully composed and polished . In meat and drink he was most temperate , nor was ever any more zealous in ...
الصفحة 28
... style : " I have most pity for those , whoso- ever they are , that languish in exile , and revisit their country only in dreams . " We have seen that the one decisive act of Dante's priorate was to expel from Flor- ence the chiefs of ...
... style : " I have most pity for those , whoso- ever they are , that languish in exile , and revisit their country only in dreams . " We have seen that the one decisive act of Dante's priorate was to expel from Flor- ence the chiefs of ...
الصفحة 32
... style of thought , it is invaluable . It is reckoned by his countrymen the first piece of Italian prose , and there are parts of it which still stand un- matched for eloquence and pathos . The Italians ( even such a man as Cantù among ...
... style of thought , it is invaluable . It is reckoned by his countrymen the first piece of Italian prose , and there are parts of it which still stand un- matched for eloquence and pathos . The Italians ( even such a man as Cantù among ...
الصفحة 37
... the age in which they lived , Dante seems morally isolated and to have drawn his inspiration almost wholly from his own ' nternal reserves . Of his mastery in style we need say little here . Of his mere language , nothing could DANTE . 37.
... the age in which they lived , Dante seems morally isolated and to have drawn his inspiration almost wholly from his own ' nternal reserves . Of his mastery in style we need say little here . Of his mere language , nothing could DANTE . 37.
الصفحة 40
... style , who knew how to spend as well as spare . Even the Inferno , on which he based his remark , might have put him on his guard . Dante under- stood very well the use of ornament in its fitting place . Est enim exornatio alicujus ...
... style , who knew how to spend as well as spare . Even the Inferno , on which he based his remark , might have put him on his guard . Dante under- stood very well the use of ornament in its fitting place . Est enim exornatio alicujus ...
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Æneid allegory Beatrice Beatrice Portinari beauty Ben Jonson better Boccaccio Brunetto Latini called canto certainly Cimabue Coleridge Commedia Convito Corso Donati Dante Dante's death delight Divina Commedia divine doth doubt eclogue edition England English exile eyes Faery Queen faith fancy feeling Florence genius Ghibelline gives grace hath heart heaven hint human ideal imagination Inferno instinct intellectual Italian Keats language living look Lord Lord Houghton Lyrical Ballads Masson meaning metrist Milton mind Monarchia moral Muse nature never noble Paradise Lost Paradiso passage passion perhaps phrase poem poet poet's poetic poetry political prose Purgatorio rhyme Roman says seems sense Shakespeare sonnet soul speak Spenser spirit style sweet syllable tells things thou thought tion true truth unto verse virtue Vita Nuova vulgar Vulgari Eloquio wisdom words Wordsworth writing written wrote
مقاطع مشهورة
الصفحة 296 - Him the Almighty Power Hurled headlong flaming from the ethereal sky, With hideous ruin and combustion, down To bottomless perdition, there to dwell In adamantine chains and penal fire, Who durst defy the Omnipotent to arms.
الصفحة 73 - Wherefore the law was our schoolmaster to bring us unto Christ, that we might be justified by faith.
الصفحة 275 - Lastly, I should not choose this manner of writing, wherein knowing myself inferior to myself, led by the genial power of nature to another task, I have the use, as I may account, but of my left hand.
الصفحة 314 - The Genius of Poetry must work out its own salvation in a man. It cannot be matured by law and precept, but by sensation and watchfulness in itself. That which is creative must create itself.
الصفحة 225 - It was published, as an experiment, which, I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation...
الصفحة 73 - For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead : so that they are without excuse. Because that, when they knew God, they glorified him not as God, neither were thankful, but became vain in their imaginations, and their foolish heart was darkened : professing themselves to be wise, they became fools.
الصفحة 300 - THE measure is English heroic verse without rime, as that of Homer in Greek, and of Virgil in Latin, — rime being no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame metre...
الصفحة 145 - Full little knowest thou that hast not tried What hell it is in suing long to bide : To lose good days that might be better spent, To waste long nights in pensive discontent, To speed to-day, to be put back to-morrow, To feed on hope, to pine with fear and sorrow, To have thy prince's grace, yet want her peers...
الصفحة 280 - A thousand fantasies Begin to throng into my memory, Of calling shapes and beckoning shadows dire, And airy tongues that syllable men's names On sands and shores and desert wildernesses.
الصفحة 71 - So then they that are in the flesh cannot please God. But ye are not in the flesh, but in the Spirit, if so be that the Spirit of God dwell in you. Now, if any man have not the Spirit of Christ, he is none of His.