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الصفحة xviii
... tells of two spent swimmers who cling to each other and “choke their art,” that is, defeat its intents, so lessen their chance for survival. Plays or poems of the second rank evade this danger by sticking to exclusive categories whose ...
... tells of two spent swimmers who cling to each other and “choke their art,” that is, defeat its intents, so lessen their chance for survival. Plays or poems of the second rank evade this danger by sticking to exclusive categories whose ...
الصفحة xxii
... tells us: it tells us we are free. Shakespeare's villains endorse the second proposition, for example, Iago: “'Tis in ourselves that we are thus or thus” (Othello, 1.3); and Edmund in Lear: “This is the excellent foppery of the world ...
... tells us: it tells us we are free. Shakespeare's villains endorse the second proposition, for example, Iago: “'Tis in ourselves that we are thus or thus” (Othello, 1.3); and Edmund in Lear: “This is the excellent foppery of the world ...
الصفحة xxiii
... tells Miranda, “We cannot miss (i.e., do without) him” (1.2). We are an amalgam, mind and matter, reason and will, and the monster is part of us, indelibly that. Also he is useful, like the brawn to the brain that commands it. The comic ...
... tells Miranda, “We cannot miss (i.e., do without) him” (1.2). We are an amalgam, mind and matter, reason and will, and the monster is part of us, indelibly that. Also he is useful, like the brawn to the brain that commands it. The comic ...
الصفحة xxvii
... tells us that nature has at its disposal both meal and bran, good and worthless materials, and our sire determines which will go into our making. “cowards father cowards and base things base” (4.2). It sounds a little like bloodlines in ...
... tells us that nature has at its disposal both meal and bran, good and worthless materials, and our sire determines which will go into our making. “cowards father cowards and base things base” (4.2). It sounds a little like bloodlines in ...
الصفحة 8
... tells us what happened. The tip of the iceberg, i.e. a play and impersonal, it rests on the personal life submerged below. The Life needs its wider context, Tudor England, a world turned upside down. Shakespeare's forcing house, it left ...
... tells us what happened. The tip of the iceberg, i.e. a play and impersonal, it rests on the personal life submerged below. The Life needs its wider context, Tudor England, a world turned upside down. Shakespeare's forcing house, it left ...
المحتوى
1 | |
25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
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