The Making of Literature |
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
BEFORE PLATO | 26 |
IMITATION 99 | 37 |
THE POETICS 99 | 53 |
CENTURIES OF RHETORIC | 74 |
THE FIRST ROMANTIC CRITIC | 80 |
PAINTING AND POETRY | 174 |
INSPIRATION | 193 |
THE ROARING FURNACES | 200 |
THE ESEMPLASTIC IMAGINATION | 215 |
XXI COLERIDGE AND GOETHE | 234 |
THE METHOD OF SAINTEBEUVE | 246 |
MATTHEW ARNOLD | 262 |
ART AND MORALITY | 283 |
THE DARK AGES | 95 |
DANTE | 102 |
BEN JONSON | 120 |
NATURE METHODIZED | 129 |
DRYDEN | 138 |
THE LOGIC OF TASTE | 149 |
CLASSIC AND ROMANTIC | 160 |
CHAPTER PAGE | 294 |
EXPRESSIONISM | 316 |
SOME CONCLUSIONS | 336 |
THE NOVEL | 360 |
THE CRITIC | 374 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action activity already appears Aristotle Arnold artist beauty become begins better century character classical Coleridge common concerned create creative critic distinction doctrine effect elements emotions essential example excellence experience expression fact faculty feeling follow force genius given gives Greek hand Homer human ideas imagination imitation impressions inspired intellectual interest intuition judge judgment kind knowledge language learning less light lines literary literature living Longinus look manner material matter mean method mind moral nature never novel object painting passion perhaps personality philosopher picture Plato play pleasure poem poet poetic poetry possible practical present principles produce question reality reason regard romantic rules seems seen sense soul speak spirit style task theory thing thought tragedy true truth understand vision whole writing