The Making of LiteratureAllied Publishers |
من داخل الكتاب
النتائج 1-5 من 34
الصفحة 8
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 17
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 19
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 20
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 22
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
BEFORE PLATO | 26 |
IMITATION 99 | 37 |
THE POETICS 99 47 | 63 |
CENTURIES OF RHETORIC | 74 |
THE FIRST ROMANTIC CRITIC | 80 |
PAINTING AND POETRY | 174 |
INSPIRATION | 193 |
THE ROARING FURNACES | 200 |
THE ESEMPLASTIC IMAGINATION | 215 |
XXI COLERIDGE AND GOETHE | 234 |
THE METHOD OF SAINTEBEUVE | 246 |
MATTHEW ARNOLD | 262 |
ART AND MORALITY | 283 |
THE DARK AGES | 95 |
DANTE | 102 |
BEN JONSON | 120 |
NATURE METHODIZED | 129 |
DRYDEN | 138 |
THE LOGIC OF TASTE | 149 |
CLASSIC AND ROMANTIC | 160 |
CHAPTER PAGE | 294 |
EXPRESSIONISM | 316 |
SOME CONCLUSIONS | 336 |
THE NOVEL | 360 |
THE CRITIC | 374 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admiration Æschylus æsthetic ancient Aristophanes Aristotle Arnold artist beauty become Ben Jonson Boileau century character classical Coleridge creative critic Croce Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions Euripides example excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas images imagination imitation impressions inspired intellectual intuition Jonson judge judgment kind knowledge language Laocoon less literary literature living Longinus Marius matter Matthew Arnold mean method mind modern moral nature never novel novelist object painter painting passion Pater perception personality philosopher picture Plato play pleasure plot Plotinus poem poet poetic poetry present principles Quintilian reality reason romantic romanticism Ruskin Sainte-Beuve sense Shakespeare Sophocles soul speak spirit style sublime taste theme theory thing thought tragedy true truth unity verse vision Walter Pater whole words Wordsworth writing