Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 146
... Richard II , ' astounding terms ' are frequently marshalled within the confines of rhyming decasyllabic coup- lets . In Richard II , the heroic couplet is one of Shakespeare's main instruments for reconciling the claims of history and ...
... Richard II , ' astounding terms ' are frequently marshalled within the confines of rhyming decasyllabic coup- lets . In Richard II , the heroic couplet is one of Shakespeare's main instruments for reconciling the claims of history and ...
الصفحة 228
... Richard II " and in " Henry IV ” , Modern Language Review , 37 , 1942 , pp . 113-22 , discusses the differences in the quality of imagery between Richard II and 1 Henry IV , which she summarizes as the difference between ' enunciation ...
... Richard II " and in " Henry IV ” , Modern Language Review , 37 , 1942 , pp . 113-22 , discusses the differences in the quality of imagery between Richard II and 1 Henry IV , which she summarizes as the difference between ' enunciation ...
الصفحة 229
... Richard II we see the crucial intermediate stage in the development , or perhaps more accurately , the utilization of Shakespeare's singular associative gift ' ( op . cit . , p . 364 ) . Where Richard II is concerned , his article is ...
... Richard II we see the crucial intermediate stage in the development , or perhaps more accurately , the utilization of Shakespeare's singular associative gift ' ( op . cit . , p . 364 ) . Where Richard II is concerned , his article is ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York