Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 104
... York , in the final eight lines of the stretch I have been using as a touchstone , continue to employ the form intro- duced by Gaunt - the closed couplet . Rich . And let them die that age and sullens have , For both has thou , and both ...
... York , in the final eight lines of the stretch I have been using as a touchstone , continue to employ the form intro- duced by Gaunt - the closed couplet . Rich . And let them die that age and sullens have , For both has thou , and both ...
الصفحة 162
... York's difficulty with his son , Aumerle . The opposition of York and his wife with respect to their son's transgression represents once more the struggle between principle and affection . 85 Duch . O king , believe not this hard ...
... York's difficulty with his son , Aumerle . The opposition of York and his wife with respect to their son's transgression represents once more the struggle between principle and affection . 85 Duch . O king , believe not this hard ...
الصفحة 242
... York's character is also worth quoting . - ( The later developments of York's character seem to me to be on a much smaller scale , like an unfinished sketch . One senses an overall intention perhaps to show how bad conscience sets its ...
... York's character is also worth quoting . - ( The later developments of York's character seem to me to be on a much smaller scale , like an unfinished sketch . One senses an overall intention perhaps to show how bad conscience sets its ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York