Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 33
... beginning of Achmat's reasoning . And the psychological subtlety in the word - play sets up the more obvious dramatic shifts represented by the lines beginning : ' Yet Achmat stay ! ' and ' Nay Achmat stay not ! ' Even in this dramatic ...
... beginning of Achmat's reasoning . And the psychological subtlety in the word - play sets up the more obvious dramatic shifts represented by the lines beginning : ' Yet Achmat stay ! ' and ' Nay Achmat stay not ! ' Even in this dramatic ...
الصفحة 71
... beginning ( 11. 40-2 ) and end ( 11. 51-6 ) of the speech , only serve to intimate its potential weight ; the impression is of weighty matter and powerful feelings held in check . The final answer is that Shakespeare in order to balance ...
... beginning ( 11. 40-2 ) and end ( 11. 51-6 ) of the speech , only serve to intimate its potential weight ; the impression is of weighty matter and powerful feelings held in check . The final answer is that Shakespeare in order to balance ...
الصفحة 181
... beginning of the line create an emphasis that fully justifies Coleridge's comment : ' alarming ; pregnant with meaning'.25 The personal energy in these lines goes with the sense of personal engagement that obtrudes on Boling- broke's ...
... beginning of the line create an emphasis that fully justifies Coleridge's comment : ' alarming ; pregnant with meaning'.25 The personal energy in these lines goes with the sense of personal engagement that obtrudes on Boling- broke's ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York