Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 49
... character and personality , we may say that unified action is not to be derived from the development of a personality . In tragedy , character equals tragic impersonality . ' Character ' , to quote Aristotle once again , this time from ...
... character and personality , we may say that unified action is not to be derived from the development of a personality . In tragedy , character equals tragic impersonality . ' Character ' , to quote Aristotle once again , this time from ...
الصفحة 197
... character in action , as though the character existed before the action : the character ( in Aristotle's view ) is shaped by his actions , and in tragedy we see the protagonist , as character 197 Macbeth : style and form.
... character in action , as though the character existed before the action : the character ( in Aristotle's view ) is shaped by his actions , and in tragedy we see the protagonist , as character 197 Macbeth : style and form.
الصفحة 202
... character much less intelligent than him- self , that is quite another . He can only guess at the correct measure of stupidity which may be proper to such a character in a given situation , whether the character is offered as an ...
... character much less intelligent than him- self , that is quite another . He can only guess at the correct measure of stupidity which may be proper to such a character in a given situation , whether the character is offered as an ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York