Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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النتائج 1-3 من 73
الصفحة 74
... clear antitheses of ' conquer- conquest ' and ' life - death ' . The dynamic shift from ' this ' of the middle section to ' that ' in line 65 is a compact representa- tion of his lament for a nation . The contrast is more than a simple ...
... clear antitheses of ' conquer- conquest ' and ' life - death ' . The dynamic shift from ' this ' of the middle section to ' that ' in line 65 is a compact representa- tion of his lament for a nation . The contrast is more than a simple ...
الصفحة 150
... clear of violent episodic melodrama on the one hand and exag- geratedly Ovidian narrative dialogue on the other . If Maxwell's argument for a chap - book source for the play is correct , Shakespeare's changes in the material exhibit ...
... clear of violent episodic melodrama on the one hand and exag- geratedly Ovidian narrative dialogue on the other . If Maxwell's argument for a chap - book source for the play is correct , Shakespeare's changes in the material exhibit ...
الصفحة 208
... clear- ness ' sake too broadly - instead of speaking to him in the overt language of moral ideas , commands , and pro- hibitions , incorporates itself in images which alarm and horrify . His imagination is thus the best of him , some ...
... clear- ness ' sake too broadly - instead of speaking to him in the overt language of moral ideas , commands , and pro- hibitions , incorporates itself in images which alarm and horrify . His imagination is thus the best of him , some ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York