Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 154
... couplet , is capable of filling in , by suggestion , enough of the necessary background to make its meaning or its action self - sufficient and intelligible . 13 Before proceeding directly to the play , it is perhaps worth considering ...
... couplet , is capable of filling in , by suggestion , enough of the necessary background to make its meaning or its action self - sufficient and intelligible . 13 Before proceeding directly to the play , it is perhaps worth considering ...
الصفحة 155
... Couplet , the decasyllabic couplet was by no means a rudimentary form when it came to Shakespeare's hand . Chaucer had used it extensively , and after about 1585,15 The closed couplet evolved by and large from the efforts of many ...
... Couplet , the decasyllabic couplet was by no means a rudimentary form when it came to Shakespeare's hand . Chaucer had used it extensively , and after about 1585,15 The closed couplet evolved by and large from the efforts of many ...
الصفحة 165
... couplets . While continuing to suggest the stable values of proper lineage , English patriotism , and family affection , the heroic couplet allows Talbot to lay claim to the vaunting , energetic style appropriate to his fighting spirit ...
... couplets . While continuing to suggest the stable values of proper lineage , English patriotism , and family affection , the heroic couplet allows Talbot to lay claim to the vaunting , energetic style appropriate to his fighting spirit ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York