Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 2
... drama , especially poetic tragedy ? How does a dramatist make verse into drama ? There are certain traps or disadvantages in putting the question in this way . The form of the question suggests that the drama- tist must always start ...
... drama , especially poetic tragedy ? How does a dramatist make verse into drama ? There are certain traps or disadvantages in putting the question in this way . The form of the question suggests that the drama- tist must always start ...
الصفحة 3
... drama , drama , especially Elizabethan drama , is still essentially a form of literature because of the central place that language holds in the human world . The imitation of human action can hardly avoid a fact so impor- tant . For a ...
... drama , drama , especially Elizabethan drama , is still essentially a form of literature because of the central place that language holds in the human world . The imitation of human action can hardly avoid a fact so impor- tant . For a ...
الصفحة 5
... drama to argue that the theatre as an art form in its own right is independent of language . There may well be such an art form , but it cannot be called poetic drama since poetry is by definition something made in words . Through a ...
... drama to argue that the theatre as an art form in its own right is independent of language . There may well be such an art form , but it cannot be called poetic drama since poetry is by definition something made in words . Through a ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York