Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 11
... emotional effect of tragedy , which Sidney calls ' admiration and commiseration . ' J. V. Cunningham , in his book , Woe or Wonder : The Emotional Effect of Shakespearean Tragedy , points out that Horatio's phrase , ' aught of woe or ...
... emotional effect of tragedy , which Sidney calls ' admiration and commiseration . ' J. V. Cunningham , in his book , Woe or Wonder : The Emotional Effect of Shakespearean Tragedy , points out that Horatio's phrase , ' aught of woe or ...
الصفحة 15
... emotional effects by providing , within the play , a group of silent actors whose function is to convey the proper emotional attitude directly to the larger audience who read or hear the play , ' for emotional effects are directly ...
... emotional effects by providing , within the play , a group of silent actors whose function is to convey the proper emotional attitude directly to the larger audience who read or hear the play , ' for emotional effects are directly ...
الصفحة 115
... emotional response appropriate to it . The major question , then , to ask of the character of Richard in Richard II is , ' to what extent does his language justify or satisfy the claims made for the emotional effects proper to his ...
... emotional response appropriate to it . The major question , then , to ask of the character of Richard in Richard II is , ' to what extent does his language justify or satisfy the claims made for the emotional effects proper to his ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York