Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 53
... experience . - The sense of heightened life that goes with the tragic experience is conditioned by a transcending of the ego - an escape from all attitudes of self - assertion . ' Escape ' , per- haps , is not altogether a good word ...
... experience . - The sense of heightened life that goes with the tragic experience is conditioned by a transcending of the ego - an escape from all attitudes of self - assertion . ' Escape ' , per- haps , is not altogether a good word ...
الصفحة 55
... experience . When it fails , of course , it is sentimental or platitudinous because it attempts to be too inclusive on the basis of too little experience . This failure is the besetting vice of the early native plain style , and ...
... experience . When it fails , of course , it is sentimental or platitudinous because it attempts to be too inclusive on the basis of too little experience . This failure is the besetting vice of the early native plain style , and ...
الصفحة 140
... experience ' . Commiseration or tragic woe is valuable not because it affords the individual any protection from a sense of the suffering of others or because it alleviates , in any way , his experience of his own suffering . Rather ...
... experience ' . Commiseration or tragic woe is valuable not because it affords the individual any protection from a sense of the suffering of others or because it alleviates , in any way , his experience of his own suffering . Rather ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York