Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 26
... feeling . The result- ing narrowed focus can lead to heightening or intensification of feeling , but it can also lead to deprivation , if the thing so addressed is regarded as invading the whole being of the speaker . The epistle ...
... feeling . The result- ing narrowed focus can lead to heightening or intensification of feeling , but it can also lead to deprivation , if the thing so addressed is regarded as invading the whole being of the speaker . The epistle ...
الصفحة 28
... feeling , while holding that feeling at a distance . The address creates a slightly unreal , Petrarchan other - world , with the result that , while the poem might seem to be epideictic , celebrating the feeling of melan- choly , or ...
... feeling , while holding that feeling at a distance . The address creates a slightly unreal , Petrarchan other - world , with the result that , while the poem might seem to be epideictic , celebrating the feeling of melan- choly , or ...
الصفحة 170
... feeling and emotion . Hence style can evoke emo- tion in the audience , and at the same time by the law of decorum the degree of unusual diction should be proportionate to the height and intensity of the feeling inherent in the subject ...
... feeling and emotion . Hence style can evoke emo- tion in the audience , and at the same time by the law of decorum the degree of unusual diction should be proportionate to the height and intensity of the feeling inherent in the subject ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York