Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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النتائج 1-3 من 35
الصفحة 16
... intention to make admiration and commiseration the emotional effects of his play by making them conclusive . III The ... intentions , few readers have noticed Mustapha , and although the observation that Greville and Shakespeare share ...
... intention to make admiration and commiseration the emotional effects of his play by making them conclusive . III The ... intentions , few readers have noticed Mustapha , and although the observation that Greville and Shakespeare share ...
الصفحة 22
... intention with respect to the argument or plot of his tragedy is no less traditional than his intention with respect to the emotional effect of that argument . Although it remains to consider the ' rhetoric ' with which he clothes that ...
... intention with respect to the argument or plot of his tragedy is no less traditional than his intention with respect to the emotional effect of that argument . Although it remains to consider the ' rhetoric ' with which he clothes that ...
الصفحة 196
... intentions to evoke the emotions of woe or wonder , the two aspects of the single emotional effect of tragedy , the most fully human response to death . Greville's intention is more explicit , Shakespeare's more subtle . The analysis of ...
... intentions to evoke the emotions of woe or wonder , the two aspects of the single emotional effect of tragedy , the most fully human response to death . Greville's intention is more explicit , Shakespeare's more subtle . The analysis of ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York