Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 90
... live with bread like you , feel want , Taste grief , need friends - subjected thus , How can you say to me , I am a king ? ( III , ii , 171-7 ) That kings are made of flesh and blood is true , and it is extraordinarily moving to hear ...
... live with bread like you , feel want , Taste grief , need friends - subjected thus , How can you say to me , I am a king ? ( III , ii , 171-7 ) That kings are made of flesh and blood is true , and it is extraordinarily moving to hear ...
الصفحة 97
... Live in thy shame , but die not shame with thee ! These words hereafter thy tormentors be ! Convey me to my bed , then to my grave - Love they to live that love and honour have . ( II , i , 124-38 ) J. V. Cunningham , in his unpublished ...
... Live in thy shame , but die not shame with thee ! These words hereafter thy tormentors be ! Convey me to my bed , then to my grave - Love they to live that love and honour have . ( II , i , 124-38 ) J. V. Cunningham , in his unpublished ...
الصفحة 103
... Live in thy shame , but die not shame with thee ! These words hereafter thy tormentors be ! Convey me to my bed , then to my grave - Love they to live that love and honour have . ( ll . 135-8 ) Though these lines might be read as an ...
... Live in thy shame , but die not shame with thee ! These words hereafter thy tormentors be ! Convey me to my bed , then to my grave - Love they to live that love and honour have . ( ll . 135-8 ) Though these lines might be read as an ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York