Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 51
... means of poetic techniques . History that is too recent or too well known is intractable to the purposes of drama because the unity resulting from succession is too crowded and too famil- iar to ' strike us and remain in our eye ...
... means of poetic techniques . History that is too recent or too well known is intractable to the purposes of drama because the unity resulting from succession is too crowded and too famil- iar to ' strike us and remain in our eye ...
الصفحة 64
... means of a series of appositives , the lines retain something of the emphasis of the paratactic structure evident in the earlier lines . But the paratactic elements here are held together by a powerful syntactic thrust beginning at line ...
... means of a series of appositives , the lines retain something of the emphasis of the paratactic structure evident in the earlier lines . But the paratactic elements here are held together by a powerful syntactic thrust beginning at line ...
الصفحة 68
... means of sentimental and shallow projection , and his recourse to the first person singular pronoun betrays a radical incomprehen- sion about the nature of his relationship to his kingdom . It is , perhaps , acceptable for a monarch to ...
... means of sentimental and shallow projection , and his recourse to the first person singular pronoun betrays a radical incomprehen- sion about the nature of his relationship to his kingdom . It is , perhaps , acceptable for a monarch to ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York