Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 127
... passage pre- sents the narrative acts as a natural and inevitable accompani- ment of time . In this way Shakespeare outdoes the Spenser- ian mode by referring absolutely everything to Richard's feeling of self - righteousness and ( with ...
... passage pre- sents the narrative acts as a natural and inevitable accompani- ment of time . In this way Shakespeare outdoes the Spenser- ian mode by referring absolutely everything to Richard's feeling of self - righteousness and ( with ...
الصفحة 129
... passage pre- sents the narrative acts as a natural and inevitable accompani- ment of time . In this way Shakespeare outdoes the Spenser- ian mode by referring absolutely everything to Richard's feeling of self - righteousness and ( with ...
... passage pre- sents the narrative acts as a natural and inevitable accompani- ment of time . In this way Shakespeare outdoes the Spenser- ian mode by referring absolutely everything to Richard's feeling of self - righteousness and ( with ...
الصفحة 162
... passage I have already argued for as the standard in the play . We may now turn to a passage that Johnson found to be generally inferior and notice the part it plays in Shakespeare's experiment with the couplet in Richard II . The scene ...
... passage I have already argued for as the standard in the play . We may now turn to a passage that Johnson found to be generally inferior and notice the part it plays in Shakespeare's experiment with the couplet in Richard II . The scene ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York