Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 150
... play does not seem entirely credible , Shakespeare provides Aaron with another speech ( II . 124–44 ) in which he declares that he has done similar ' dreadful things ' in the past , and the list is specified once more : mur- der , rape ...
... play does not seem entirely credible , Shakespeare provides Aaron with another speech ( II . 124–44 ) in which he declares that he has done similar ' dreadful things ' in the past , and the list is specified once more : mur- der , rape ...
الصفحة 164
... play written entirely in rhymed verse and belonging to a period when the English drama was not yet using blank verse ' . Rather more likely is the notion that Shakespeare himself introduced rhyme into his play as a way of modifying the ...
... play written entirely in rhymed verse and belonging to a period when the English drama was not yet using blank verse ' . Rather more likely is the notion that Shakespeare himself introduced rhyme into his play as a way of modifying the ...
الصفحة 241
... play written entirely in rhymed verse and belonging to a period when the English drama was not yet using blank verse . ' He concludes that ' the historical events essential to a play on Richard II were to be found in the play in rhymed ...
... play written entirely in rhymed verse and belonging to a period when the English drama was not yet using blank verse . ' He concludes that ' the historical events essential to a play on Richard II were to be found in the play in rhymed ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York