Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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النتائج 1-3 من 43
الصفحة 39
... present , future ) . More important is the juxta- position of the mellifluous style of stanza seven and the abrupt ... presents the turbulence of Time's case . And this tension in the chorus is a good general illustration of the attitude ...
... present , future ) . More important is the juxta- position of the mellifluous style of stanza seven and the abrupt ... presents the turbulence of Time's case . And this tension in the chorus is a good general illustration of the attitude ...
الصفحة 74
... present and past , though the England for which Gaunt feels allegiance did indubitably exist in the past ; otherwise it could not be known . The lament is more than simple nostalgia for a particular way of life ; it is an expres- sion ...
... present and past , though the England for which Gaunt feels allegiance did indubitably exist in the past ; otherwise it could not be known . The lament is more than simple nostalgia for a particular way of life ; it is an expres- sion ...
الصفحة 92
... present , and future . ' Hath kept ' and ' have I watch'd ' are both in the past tense ; ' is my strict fast ' is in the present ; and ' Gaunt am I for the grave ' is future . His vision of the extinction of his being follows inevitably ...
... present , and future . ' Hath kept ' and ' have I watch'd ' are both in the past tense ; ' is my strict fast ' is in the present ; and ' Gaunt am I for the grave ' is future . His vision of the extinction of his being follows inevitably ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York