Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 39
... represented in the action of Mustapha . For portraying Soliman and Mustapha , the two most important characters in that action , and for delineating the crisis in the plot , Greville employs a fusion of the two styles . Soliman is ...
... represented in the action of Mustapha . For portraying Soliman and Mustapha , the two most important characters in that action , and for delineating the crisis in the plot , Greville employs a fusion of the two styles . Soliman is ...
الصفحة 42
... represented no doubt exhibits a kind of mad- ness , but it is difficult to conceive how the wilful persistence in murder , voluntarily denying the directives of reason , can ever be represented as anything but madness . Soliman is one ...
... represented no doubt exhibits a kind of mad- ness , but it is difficult to conceive how the wilful persistence in murder , voluntarily denying the directives of reason , can ever be represented as anything but madness . Soliman is one ...
الصفحة 47
... represented receive a coloring and a manner ; - whereas in the epic , as in the so - called poems of Homer , the whole is completely objective , and the re- presentation is a pure reflection . The next form into which poetry passed was ...
... represented receive a coloring and a manner ; - whereas in the epic , as in the so - called poems of Homer , the whole is completely objective , and the re- presentation is a pure reflection . The next form into which poetry passed was ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York