Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 137
... soliloquy , claims that these lines ' out- line a Shakespearian aesthetic psychology ' , and further , that ' Shakespeare has here temporarily endued his dramatic pro- tagonist with a psychic state closely analogous , if not exactly ...
... soliloquy , claims that these lines ' out- line a Shakespearian aesthetic psychology ' , and further , that ' Shakespeare has here temporarily endued his dramatic pro- tagonist with a psychic state closely analogous , if not exactly ...
الصفحة 141
... soliloquy . Richard invokes the ' many ' he mentions at line 31 by posturing its extremes , king and beggar , alternately faced with treason and penury and alternately attracted and repelled by both . He moves with such rapidity through ...
... soliloquy . Richard invokes the ' many ' he mentions at line 31 by posturing its extremes , king and beggar , alternately faced with treason and penury and alternately attracted and repelled by both . He moves with such rapidity through ...
الصفحة 210
... soliloquy is fundamentally exploratory , it is not exploratory in quite the way that Leavis says it is . To begin with , the structure of the soliloquy as a whole is not only clear and logical , it is syllogistic . If it were done ...
... soliloquy is fundamentally exploratory , it is not exploratory in quite the way that Leavis says it is . To begin with , the structure of the soliloquy as a whole is not only clear and logical , it is syllogistic . If it were done ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York