Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
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الصفحة 20
... true Art of Eloquence indeed Is not this craft of words , but formes of speech , Such as from living wisdomes doe proceed ; Whose ends are not to flatter , or beseech , Insinuate , or perswade , but to declare What things in Nature good ...
... true Art of Eloquence indeed Is not this craft of words , but formes of speech , Such as from living wisdomes doe proceed ; Whose ends are not to flatter , or beseech , Insinuate , or perswade , but to declare What things in Nature good ...
الصفحة 110
... true that his intentions were mis- interpreted to the king . But Shakespeare characterizes him as either incapable of saying or reluctant to say what those motives were or how they were misinterpreted . The conclu- sion of the speech is ...
... true that his intentions were mis- interpreted to the king . But Shakespeare characterizes him as either incapable of saying or reluctant to say what those motives were or how they were misinterpreted . The conclu- sion of the speech is ...
الصفحة 248
... true are not fulfilled , this proposition cannot be true . But there are usually other conditions from which it would follow . A believer in economic determi- nism in history might argue : ' If one nation exploits another economically ...
... true are not fulfilled , this proposition cannot be true . But there are usually other conditions from which it would follow . A believer in economic determi- nism in history might argue : ' If one nation exploits another economically ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York