Shakespeare's Poetic Styles: Verse Into DramaRoutledge & Kegan Paul, 1980 - 255 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 40
الصفحة 51
... whole tenor of Coleridge's defence of historical drama is that it promotes thought about nationality and the ... whole people or nation . The complexity of the whole relationship is summed up in the compendious , but partly obscure ...
... whole tenor of Coleridge's defence of historical drama is that it promotes thought about nationality and the ... whole people or nation . The complexity of the whole relationship is summed up in the compendious , but partly obscure ...
الصفحة 136
... whole speech is a series of imperatives that clamour increas- ingly for attention as pieces of advice . He opens the third section of his speech with the following words : Cover your heads , and mock not flesh and blood With solemn ...
... whole speech is a series of imperatives that clamour increas- ingly for attention as pieces of advice . He opens the third section of his speech with the following words : Cover your heads , and mock not flesh and blood With solemn ...
الصفحة 189
... whole of Carlisle's speech exhibits this interplay of the personal and the extra - personal . As a set speech , it illus- trates the flexibility that Wolfgang Clemen describes as characterizing the development of drama in England in the ...
... whole of Carlisle's speech exhibits this interplay of the personal and the extra - personal . As a set speech , it illus- trates the flexibility that Wolfgang Clemen describes as characterizing the development of drama in England in the ...
المحتوى
Sidneys Defence and Grevilles Mustapha | 7 |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery imagination important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage phrase plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York