Shakespeare's Political Pageant: Essays in Literature and PoliticsJoseph Alulis, Vickie B. Sullivan Rowman & Littlefield Publishers, 1996 - 276 من الصفحات Literary works, through their very personal means of characterization, reveal the direct effect of politics on individuals in a way a political treatise cannot. The distinguished contributors to this volume share the belief that Shakespeare is the author who most effectively sets forth the multifarious pageant of politics. Shakespeare's rich canon presents monarchy and republic, tyrant and king, thinker and soldier, and Christian and pagan. The twelve essays in Shakespeare's Political Pageant discuss a broad range of Shakespeare's dramatic poetry from the perspective of the political theorist. This innovative book demonstrates the immense value of seeing Shakespeare's plays in the context of political philosophy. It will be an important source for students and scholars of both political science and literature. |
من داخل الكتاب
النتائج 1-3 من 12
الصفحة 191
... Lear's errors are not , so to speak , vulgar errors ; they do not simply proceed from stupidity or lack of thought . I argue that , in tragic fashion , Lear's failings are bound up inextricably with his greatness . Precisely what makes ...
... Lear's errors are not , so to speak , vulgar errors ; they do not simply proceed from stupidity or lack of thought . I argue that , in tragic fashion , Lear's failings are bound up inextricably with his greatness . Precisely what makes ...
الصفحة 194
... Lear's viewpoint here with Shakespeare's , we need to look more critically at what the king says . Shakespeare deliberately builds an error into Lear's reflections in this scene : " Let copulation thrive ; for Gloucester's bastard son ...
... Lear's viewpoint here with Shakespeare's , we need to look more critically at what the king says . Shakespeare deliberately builds an error into Lear's reflections in this scene : " Let copulation thrive ; for Gloucester's bastard son ...
الصفحة 197
... Lear's loss of his ability to rule is not simply to be traced to the change in his opinions about politics in acts 3 and 4. Shakespeare also focuses on the matter of Lear's temperament . The Lear of act 1 , scene 1 is headstrong and ...
... Lear's loss of his ability to rule is not simply to be traced to the change in his opinions about politics in acts 3 and 4. Shakespeare also focuses on the matter of Lear's temperament . The Lear of act 1 , scene 1 is headstrong and ...
المحتوى
On Portias Comic Triumph in | 3 |
Matter Mirth and Melancholy | 37 |
Thoughts on the Political Philosophy | 61 |
حقوق النشر | |
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action Alfred Harbage Allan Bloom ambition Antonio appears Arthur audience Banquo Bassanio become Brabantio Brutus Brutus's Caesar Canterbury casket Cassio Celia character Christian Cinthio claims contrast convention Cordelia Coriolanus Coriolanus's corrupt courage Cyprus death deeds Desdemona Duke Senior duke's England essay fact Falstaff father fortune Hal's hath Henry IV Henry's hero honor Hotspur human Iago Iago's Isabella Jaques Julius Caesar justice King John King Lear Lear's lovers Macbeth Macduff Machiavelli manliness marriage means Measure for Measure Medea Merchant of Venice mirth moral nature offers Orlando Othello Pandulph play play's Portia Prince problem prophecy reason Republic republican Richard role Roman Rome Rome's Rosalind rule says scene seems Shakespeare Shakespeare's Politics Shylock soldiers soul speak speech spirit suggests teaching tells thee Theseus thou thought throne tion tragedy tragic understanding University Press Venetian victory virtue wisdom witches words