Shakespeare's Political Pageant: Essays in Literature and PoliticsJoseph Alulis, Vickie B. Sullivan Rowman & Littlefield Publishers, 1996 - 276 من الصفحات Literary works, through their very personal means of characterization, reveal the direct effect of politics on individuals in a way a political treatise cannot. The distinguished contributors to this volume share the belief that Shakespeare is the author who most effectively sets forth the multifarious pageant of politics. Shakespeare's rich canon presents monarchy and republic, tyrant and king, thinker and soldier, and Christian and pagan. The twelve essays in Shakespeare's Political Pageant discuss a broad range of Shakespeare's dramatic poetry from the perspective of the political theorist. This innovative book demonstrates the immense value of seeing Shakespeare's plays in the context of political philosophy. It will be an important source for students and scholars of both political science and literature. |
من داخل الكتاب
النتائج 1-3 من 58
الصفحة 78
... fact relate to the origin of democracy in Athens , and to the Athenian source of philosophy and drama as well . The action of Midsummer takes the form of four streams , some of which meet at different points within the play , and all of ...
... fact relate to the origin of democracy in Athens , and to the Athenian source of philosophy and drama as well . The action of Midsummer takes the form of four streams , some of which meet at different points within the play , and all of ...
الصفحة 166
... fact that Iago takes such care to clarify to Roderigo the deceptive nature of appearances , suggests that he will not be content until he has brought outward appearances into accord with the inner reality . Since Iago has become famous ...
... fact that Iago takes such care to clarify to Roderigo the deceptive nature of appearances , suggests that he will not be content until he has brought outward appearances into accord with the inner reality . Since Iago has become famous ...
الصفحة 203
... fact that the evil characters have largely destroyed each other . Edgar and Albany never display the lust for power that is the hallmark of their counterparts Edmund and Cornwall . At most they have learned the need for political action ...
... fact that the evil characters have largely destroyed each other . Edgar and Albany never display the lust for power that is the hallmark of their counterparts Edmund and Cornwall . At most they have learned the need for political action ...
المحتوى
On Portias Comic Triumph in | 3 |
Matter Mirth and Melancholy | 37 |
Thoughts on the Political Philosophy | 61 |
حقوق النشر | |
11 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action Alfred Harbage Allan Bloom ambition Antonio appears Arthur audience Banquo Bassanio become Brabantio Brutus Brutus's Caesar Canterbury casket Cassio Celia character Christian Cinthio claims contrast convention Cordelia Coriolanus Coriolanus's corrupt courage Cyprus death deeds Desdemona Duke Senior duke's England essay fact Falstaff father fortune Hal's hath Henry IV Henry's hero honor Hotspur human Iago Iago's Isabella Jaques Julius Caesar justice King John King Lear Lear's lovers Macbeth Macduff Machiavelli manliness marriage means Measure for Measure Medea Merchant of Venice mirth moral nature offers Orlando Othello Pandulph play play's Portia Prince problem prophecy reason Republic republican Richard role Roman Rome Rome's Rosalind rule says scene seems Shakespeare Shakespeare's Politics Shylock soldiers soul speak speech spirit suggests teaching tells thee Theseus thou thought throne tion tragedy tragic understanding University Press Venetian victory virtue wisdom witches words