PANT

P.

ANTOMIMES, great expreffive
power of the antient, 352.
Their use in arbitrary govern-

ments, 353-
PAINTING and fculpture, why
popish countries excel most in
thofe arts, 21.

-, an art the least liable
to be perverted to any bad
purpofe, 245. More honour-
able for a country to boast the
improvement than the mere
antiquity of this art, 247.
-in oil, fuppofed to be in-
vented in England, 249-
on glass, not loft, as in gene-
ral imagined, 250.
PARIS and London, comparison
between thofe two capitals,

14.
PASSION

ed, 420.
PERCEPTION by the fenfes, re-
markable difference in, 415.
Superiority of thofe by the eye
and ear, ib.
PERPLEXITY, the figns of, 201.
PERSECUTION Wore than infi-
delity, 22.

defcribed, 462.
PERSECUTORS for religion, how
confidered by M. Rousseau,

240.

PHADRA, various opinions re-
lating to her speech in Hippol.
v. 405, 6, 7. 411.
PHILOSOPHY, in what language
only to be learned, 268.
PITY, the figns of, 201.
PLANETS, propagated by fexual
generation, 147.
PLEASURE and pain, origin of our
fenfe of, 505.
POET, terrible effects from the
bite of a mad one, 316.

one good, the cause of
many bad, 356.
POETS, quarrelfome, two other

382.
RAILLERY, definition of, 200.
REASON, of fmall use without
the aid of the paffions, 177.
RELIGION, the intention of, 446.

Whether human reason is fuf-
ficient in, 448.
REMOR: E, the figns of, 203.
REVIEWERS, profeffions of their
integrity, 31. Their motives
for centuring the author of
Triftram Shandy, ib.
REWARDS, whether calculated
to promote the interefts of mo-
rality, 176.

RICHARD II. characterised, 87..
ROBIN and Makyne, an antient
Scots paftoral, 189. The fame
modernized, 193.
ROUSSEAU, his remark on perfe-
cutors for religion, 240.

SHAME, expreffions of, 202. SIBERIA, extraordinary quick vegetation there, 431. SIN, not pardoned on account of any relative act or fuffering, 114. SOBIESKI, John, king of Poland, his birth, 165. His extraordinary military addrefs, 166. Marries, 167. His fignal victory over the Tartars, ib. Extract from his coronation fermon, 170. Deftroys a ghoft, and frightens his confeffor to death, 171. Defeats the Turks, and rescues Vienna, 172. His noble behaviour at the interview with the emperor, 173. His rafh confidence, and great acknowledgment, 174. Dies,

175.

SOCRATES learned to dance when

advanced in years, 316. SOLYMAN and Almena, ftory of, 255. Song from, 263. SOPHOCLES, his barbarous ufage

from commentators, 401. SOUL, its feat, and mode of its tranfmigration, conjectured,

507. SPANISH papers, extract from, in defence of Mr. Pitt's conduct relative to Spain, 228. SPENCER, father to Edward II's favourite, anecdotes relating to, 85.

STERNE, Rev. Mr. his chief excellence, 41. STYLE, great latitudes for diverfity in, 28. SUPERSTITION, her dwelling defcribed, 459.

Chevalier, his various accomplishments, 112. TESTAMENTARY wills, how regulated by the Pruffian law, 12. THEATRE, the cause of the reftrictions laid on it, 371. Reflexions on, 372. THOMSON, the poet, fhort ab. ftract of his life, 299. His perfon and character, 304. THOUGHT, how governed, 418. TRISTRAM Shandy, why deferving a bishopric, 453. TRULLIBER, Parfon, in Jofeph Andrews, whence that cha racter was taken, 366. TYDEUS, noble defcription of, 327. TYRTUS, his ftory, 57.

VER

V.

ERSE, examination into the merits of blank and metri. cal, 283. Beauty of varied paufes, 284. Illuftrated by extracts from Shakespear, Milton, Dryden, and Pope, 286. Comparative imagery, remarks on, 291. Three queries relating to imagery, 298. VERTUE, Mr. his industry and care in collecting materials for an hiftory of English painters, 243. VEXATION, how manifested, 201. VOLTAIRE, cenfure of, by Dr. YOUNG, 455.

URIM and Thummim, conjecture concerning, 308.

W.

VILD, Jonathan the Great,

W Fielding's own account of

the plan of that novel, 489.

Y.

Mr.

comical adventure of that book,

479.

from whom the character of

parfon Adams was drawn, anecdote of, 492.