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الصفحة 243
Cambridge : Harvard University Press , 1960 . “ The Interpretation of Jonson's Courtly Spectacle . ” PMLA 61 ( 1946 ) : 473 . " Jonson and the Loathéd Stage . ” In The Anti - Theatrical Prejudice , 132–54 . Berkeley and Los Angeles ...
Cambridge : Harvard University Press , 1960 . “ The Interpretation of Jonson's Courtly Spectacle . ” PMLA 61 ( 1946 ) : 473 . " Jonson and the Loathéd Stage . ” In The Anti - Theatrical Prejudice , 132–54 . Berkeley and Los Angeles ...
الصفحة 244
Cambridge : Harvard University Press , 1968 . Gilbert , A. H. “ The Function of the Masques in Cynthia's Revels . ” Philological Quarterly 22 ( 1943 ) : 211–30 . The Symbolic Personages in the Masques of Ben Jonson . Durham , N.C .
Cambridge : Harvard University Press , 1968 . Gilbert , A. H. “ The Function of the Masques in Cynthia's Revels . ” Philological Quarterly 22 ( 1943 ) : 211–30 . The Symbolic Personages in the Masques of Ben Jonson . Durham , N.C .
الصفحة 248
University Press , Baltimore / London . Reprinted by permission of the Johns Hopkins University Press . “ Sejanus : History and Realpolitik ” ( originally entitled “ Sejanus ( 1603 ) : History and Realpolitik " ) by Jonathan Dollimore ...
University Press , Baltimore / London . Reprinted by permission of the Johns Hopkins University Press . “ Sejanus : History and Realpolitik ” ( originally entitled “ Sejanus ( 1603 ) : History and Realpolitik " ) by Jonathan Dollimore ...
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المحتوى
The Double Plot in Volpone | 9 |
The Allusiveness of Epicoene | 23 |
Jonsons Dramatic Poetry | 35 |
حقوق النشر | |
10 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action actual already antimasque appears attempt audience authority become beginning body characters circle claim comedy course court critical death described divine effect English epigram example face fact Fair festive figure finally follows folly give grace heaven human imitation James John Jonson judgment justice kind king Lady language later less literary live look masque master means mind moral nature never object once opening pattern perfect performed perhaps person play plot poem poet poetic poetry political praise present prince problem provides question reason relation remains represent Revels satire scene seems Sejanus sense shows social society soul speak speech stage style suggests thee things thou thought tradition true turn University verse virtue Volpone whole writing