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الصفحة 124
Beginning with “ GOod and Great GOD , ” the poem returns to “ thee ” in the final line : God , the pattern suggests , can be known without doubt when considered “ first ” as creator and “ last ” as judge . He undoubtedly occupies these ...
Beginning with “ GOod and Great GOD , ” the poem returns to “ thee ” in the final line : God , the pattern suggests , can be known without doubt when considered “ first ” as creator and “ last ” as judge . He undoubtedly occupies these ...
الصفحة 131
It seems to me important , and it lends particular significance to the revision of Every Man in His Humour — the revised version of which was deliberately placed at the beginning of the 1616 Folio . The date of the revision of the play ...
It seems to me important , and it lends particular significance to the revision of Every Man in His Humour — the revised version of which was deliberately placed at the beginning of the 1616 Folio . The date of the revision of the play ...
الصفحة 191
This is especially true of the beginning of a Jonson poem where one often finds a meditation on the difficulty of beginning , a meditation that will typically take the form of a succession of false starts after which the poem stumbles ...
This is especially true of the beginning of a Jonson poem where one often finds a meditation on the difficulty of beginning , a meditation that will typically take the form of a succession of false starts after which the poem stumbles ...
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المحتوى
The Double Plot in Volpone | 9 |
The Allusiveness of Epicoene | 23 |
Jonsons Dramatic Poetry | 35 |
حقوق النشر | |
10 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action actual already antimasque appears attempt audience authority become beginning body characters circle claim comedy course court critical death described divine effect English epigram example face fact Fair festive figure finally follows folly give grace heaven human imitation James John Jonson judgment justice kind king Lady language later less literary live look masque master means mind moral nature never object once opening pattern perfect performed perhaps person play plot poem poet poetic poetry political praise present prince problem provides question reason relation remains represent Revels satire scene seems Sejanus sense shows social society soul speak speech stage style suggests thee things thou thought tradition true turn University verse virtue Volpone whole writing
معلومات المراجع
| العنوان | Ben Jonson Modern critical views Modern literatures in perspective |
| المُحرر | Harold Bloom |
| المساهم | Harold Bloom |
| الناشر | Chelsea House Publishers, 1987 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 8 آذار (مارس) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 1555462766, 9781555462765 |
| عدد الصفحات | 255 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |