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الصفحة 153
IV Jonson wrote an Induction to explore the issue of the audience's relation to the play , and the play's relation to the Fair , which is of the greatest interest for our examination of the social meaning of festivity .
IV Jonson wrote an Induction to explore the issue of the audience's relation to the play , and the play's relation to the Fair , which is of the greatest interest for our examination of the social meaning of festivity .
الصفحة 210
a a becomes a kind of standard or model of the relation of musical or poetic form to content or purpose . Now for a Neoclassicist like Jonson , the music - poetry of antiquity is the unfallen ancestor of all literature , and Orpheus's ...
a a becomes a kind of standard or model of the relation of musical or poetic form to content or purpose . Now for a Neoclassicist like Jonson , the music - poetry of antiquity is the unfallen ancestor of all literature , and Orpheus's ...
الصفحة 249
Bartholomew Fair : audience reactions to fair in , 152–53 ; audience relation to , 15458 ; audience role in , 158 ; comic structure of , 146–53 ; compared with Roman tragedies , 36 ; compared with The Alchemist , 81 ; connectedness in ...
Bartholomew Fair : audience reactions to fair in , 152–53 ; audience relation to , 15458 ; audience role in , 158 ; comic structure of , 146–53 ; compared with Roman tragedies , 36 ; compared with The Alchemist , 81 ; connectedness in ...
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المحتوى
The Double Plot in Volpone | 9 |
The Allusiveness of Epicoene | 23 |
Jonsons Dramatic Poetry | 35 |
حقوق النشر | |
10 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action actual already antimasque appears attempt audience authority become beginning body characters circle claim comedy course court critical death described divine effect English epigram example face fact Fair festive figure finally follows folly give grace heaven human imitation James John Jonson judgment justice kind king Lady language later less literary live look masque master means mind moral nature never object once opening pattern perfect performed perhaps person play plot poem poet poetic poetry political praise present prince problem provides question reason relation remains represent Revels satire scene seems Sejanus sense shows social society soul speak speech stage style suggests thee things thou thought tradition true turn University verse virtue Volpone whole writing